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It All Started at Patchs is one in a series of exhibitions curated over the past three years by Robert Lake reflecting on queer art history. It followed Dead Gay Artists at Sydney University’s Tin Sheds (2002) and the survey Hung Drawn and Quartered (co-curated with Jim Anderson, Tin Sheds (2003).
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Date modified | July 22, 2015, 1:56 p.m. | July 22, 2015, 1:55 p.m. |
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