Toni Robertson b. 1953

  • Artist (Printmaker)
Printmaker, Toni Robertson gave up art due to poisoning by chemicals used to make posters at the Tin Sheds Gallery, at the University of Sydney.
You are viewing the version of bio from Oct. 14, 2014, 3 p.m. , as edited by arvh (moderator approved).
Revert to this revision Go to current record
exhibited at
Review
Date
8 March 1995 - 8 June 1995
Place
Art Gallery of New South Wales, Sydney, NSW
Description

Speaking of Women, four guest lectures; by Nancy Underhill, Ann Thomson, Margo Neale, Joan Kerr; held over successive Fridays, 10-31 March 1995, by the Art Gallery Society.

Type
Exhibition
Tags
National Women's Art Exhibition
exhibited at
Women at Watters
Date
22 February 1995 - 11 March 1995
Place
Watters Gallery, East Sydney, NSW
Type
Exhibition
Tags
National Women's Art Exhibition, Watters Gallery
exhibited at
In the Company of Women: 100 years of Australian women's art from the Cruthers collection
Date
16 February 1995 - 13 March 1995
Place
PICA (Perth Institute of Contemporary Arts), WA
Description

Opened by Dr Liz Constable MLA, Member for Floreat, 15 February 1995

Type
Exhibition
Tags
National Women's Art Exhibition
exhibited at
Through Women's Eyes
Date
30 July 1994 - 30 June 1995
Place
Australian War Memorial, Canberra, ACT
Type
Exhibition
Tags
National Women's Art Exhibition
exhibited at
Out of sight, out of mind: Australia's places of confinement, 1788-1988
Date
1988
Place
S. H. Ervin Gallery, National Trust, Sydney, NSW
Description
Type
Exhibition
exhibited at
Sites of power
Date
1985
Place
Experimental Art Foundation, Adelaide, SA
Description

An exhibition of posters and prints

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report, 1985

Type
Exhibition
Tags
Minor Solo, Printmaking
Website
http://aeaf.org.au/
exhibited at
Causes
Date
1984
Place
Cockatoo Gallery, Launceston, TAS
Description

An exhibition of political posters and prints from Canberra 1981-83 (ACME/Megalo?) by Alison Alder, Colin Little, David Morrow, Stephanie Dale, Stephanie Radok, Roland Manderson, Mark Denton, Tony Ayres, Nick Cosgrove, Colin Russell, Virginia Killen, Suzanne McCorquodale, Toni Robertson. Source: Queen Victoria Museum & Art Gallery History Archive.

Tags
Group exhibition, Printmaking
exhibited at
Royal nuclear show
Date
June 1981
Place
Experimental Art Foundation, Adelaide, SA
Description

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Stephanie Britton (ed.) A decade at the EAF: A history of the Experimental Art Foundation 1974-1984. Adelaide: The Experimental Art Foundation, 1984

Type
Exhibition
Tags
Minor Solo, Printmaking
Website
http://aeaf.org.au/
exhibited at
An exhibition of work by homosexual and lesbian artists
Date
23 July 1978 - 24 July 1978
Place
Watters Gallery, Sydney, New South Wales
Description

The exhibition was held in conjunction with the 4th National Homosexual Conference, Paddington Town Hall. Featured artists included: David McDiarmid, Peter Tully, Frances Budden, Vivienne Binns, Sally Colechin, Bill Morley, Doug Erskine, Robert Lawrie etc.

The exhibition was also accompanied by a fund-raising benefit for the Conference on Sunday 23rd of July, which featured Women Action Theatre, Aloma, Bread and Roses, and others. Compered by Jude Kuring.

Tags
Watters Gallery

Difference between this version and previous

Field This Version Previous Version
Sources
  • Black and white artists
  • Queen Victoria Museum & Art Gallery History Archive.
  • Black and white artists
Date modified Oct. 14, 2014, 3 p.m. Oct. 14, 2014, 2:59 p.m.
References [<ExternalResource: Powerhouse Museum, ''Still life with overtones' poster by Earthworks Poster Collective', Powerhouse Museum, Sydney, NSW.>, <ExternalResource: Kerr, Joan; Kenyon, Therese; Best, Sue; Hanna, Bronwyn (1991), 'At Least It's Gone to a Good Home', Joint project by the Tin Sheds Art Workshop and the Power Institute of Fine Arts, University of Sydney, NSW.>, <ExternalResource: Kerr, James Semple; with an introduction by Kerr, Joan (1988), 'Out of sight, out of mind: Australia's places of confinement, 1788-1988', S. H. Erwin Gallery, National Trust of Australia (NSW), Sydney, NSW.>, <ExternalResource: Queen Victoria Museum & Art Gallery History Archive >] [<ExternalResource: Powerhouse Museum, ''Still life with overtones' poster by Earthworks Poster Collective', Powerhouse Museum, Sydney, NSW.>, <ExternalResource: Kerr, Joan; Kenyon, Therese; Best, Sue; Hanna, Bronwyn (1991), 'At Least It's Gone to a Good Home', Joint project by the Tin Sheds Art Workshop and the Power Institute of Fine Arts, University of Sydney, NSW.>, <ExternalResource: Kerr, James Semple; with an introduction by Kerr, Joan (1988), 'Out of sight, out of mind: Australia's places of confinement, 1788-1988', S. H. Erwin Gallery, National Trust of Australia (NSW), Sydney, NSW.>]