Toni Robertson b. 1953

  • Artist (Printmaker)
Printmaker, Toni Robertson gave up art due to poisoning by chemicals used to make posters at the Tin Sheds Gallery, at the University of Sydney.
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Citations

  • Powerhouse Museum, ''Still life with overtones’ poster by Earthworks Poster Collective’, Powerhouse Museum, Sydney, NSW.

    http://from.ph/364924

  • Kerr, Joan; Kenyon, Therese; Best, Sue; Hanna, Bronwyn (1991), 'At Least It’s Gone to a Good Home’, Joint project by the Tin Sheds Art Workshop and the Power Institute of Fine Arts, University of Sydney, NSW.

  • Kerr, James Semple; with an introduction by Kerr, Joan (1988), 'Out of sight, out of mind: Australia’s places of confinement, 1788-1988’, S. H. Erwin Gallery, National Trust of Australia (NSW), Sydney, NSW.

  • Queen Victoria Museum & Art Gallery History Archive

    http://www.qvmag.tas.gov.au/upfiles/qvmag/imglib/collections/CHS89%20Launceston%20Contemporary%20Art%20Organisations.pdf

  • Britton, Stephanie (ed.) 1984, A decade at the EAF: A History of the Experimental Art Foundation 1974-1984, Experimental Art Foundation, Adelaide

Initial data sources

  • Black and white artists
  • Queen Victoria Museum & Art Gallery History Archive.

Difference between this version and previous

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Date modified July 7, 2015, 10:57 a.m. Nov. 17, 2014, 12:34 p.m.
References [<ExternalResource: Powerhouse Museum, ''Still life with overtones' poster by Earthworks Poster Collective', Powerhouse Museum, Sydney, NSW.>, <ExternalResource: Kerr, Joan; Kenyon, Therese; Best, Sue; Hanna, Bronwyn (1991), 'At Least It's Gone to a Good Home', Joint project by the Tin Sheds Art Workshop and the Power Institute of Fine Arts, University of Sydney, NSW.>, <ExternalResource: Kerr, James Semple; with an introduction by Kerr, Joan (1988), 'Out of sight, out of mind: Australia's places of confinement, 1788-1988', S. H. Erwin Gallery, National Trust of Australia (NSW), Sydney, NSW.>, <ExternalResource: Queen Victoria Museum & Art Gallery History Archive >, <ExternalResource: Britton, Stephanie (ed.) 1984, A decade at the EAF: A History of the Experimental Art Foundation 1974-1984, Experimental Art Foundation, Adelaide>] [<ExternalResource: Powerhouse Museum, ''Still life with overtones' poster by Earthworks Poster Collective', Powerhouse Museum, Sydney, NSW.>, <ExternalResource: Kerr, Joan; Kenyon, Therese; Best, Sue; Hanna, Bronwyn (1991), 'At Least It's Gone to a Good Home', Joint project by the Tin Sheds Art Workshop and the Power Institute of Fine Arts, University of Sydney, NSW.>, <ExternalResource: Kerr, James Semple; with an introduction by Kerr, Joan (1988), 'Out of sight, out of mind: Australia's places of confinement, 1788-1988', S. H. Erwin Gallery, National Trust of Australia (NSW), Sydney, NSW.>, <ExternalResource: Queen Victoria Museum & Art Gallery History Archive >]