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Citations

  • Powerhouse Museum, ''Still life with overtones’ poster by Earthworks Poster Collective’, Powerhouse Museum, Sydney, NSW.

    http://from.ph/364924

  • Kerr, Joan; Kenyon, Therese; Best, Sue; Hanna, Bronwyn (1991), 'At Least It’s Gone to a Good Home’, Joint project by the Tin Sheds Art Workshop and the Power Institute of Fine Arts, University of Sydney, NSW.

  • Kerr, James Semple; with an introduction by Kerr, Joan (1988), 'Out of sight, out of mind: Australia’s places of confinement, 1788-1988’, S. H. Erwin Gallery, National Trust of Australia (NSW), Sydney, NSW.

Initial data sources

  • Black and white artists

Difference between this version and previous

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References [<ExternalResource: Powerhouse Museum, ''Still life with overtones' poster by Earthworks Poster Collective', Powerhouse Museum, Sydney, NSW.>, <ExternalResource: Kerr, Joan; Kenyon, Therese; Best, Sue; Hanna, Bronwyn (1991), 'At Least It's Gone to a Good Home', Joint project by the Tin Sheds Art Workshop and the Power Institute of Fine Arts, University of Sydney, NSW.>, <ExternalResource: Kerr, James Semple; with an introduction by Kerr, Joan (1988), 'Out of sight, out of mind: Australia's places of confinement, 1788-1988', S. H. Erwin Gallery, National Trust of Australia (NSW), Sydney, NSW.>] [<ExternalResource: Powerhouse Museum, ''Still life with overtones' poster by Earthworks Poster Collective', Powerhouse Museum, Sydney, NSW.>]