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landscape painter, worked in New South Wales, Tasmania, New Zealand and Western Australia between the 1880s and 1900s. In the early 1890s Delawarr moved into a studio at 112 Hunter Street, Sydney, after a studio in the same building had been vacated by landscape and portrait painter Gladstone Eyre , whose landscape paintings resemble Delawarr’s, in both style and subject matter. Later, Delawarr was working in the 24 Bond Street building where cartoonist Livingston “Hop” Hopkins (and, much later, photographer Max Dupain ) also had a studio.

Some references speculate that Delawarr was Dutch, however, the Dutch influence in his work is likely to have come through Gladstone Eyre’s teacher, Henry van den Houten . Delawarr’s name suggests Belgian, French or Anglo-Huguenot origins.

Writers:
Riddler, Eric
Date written:
2006
Last updated:
2011

Difference between this version and previous

Field This Version Previous Version
Date modified Dec. 4, 2011, 4:08 a.m. Dec. 4, 2011, 4:05 a.m.
Residences
  • c.1899 - c.1900 Perth, WA
  • c.1899 Milford Sound, Otago (Fiordland), NZ
  • c.1892 - c.1893 Waltham Buildings, Bond Street, Sydney, NSW
  • c.1890 - c.1892 Hunter Street, Sydney, NSW
  • c.1888 - c.1899 Sydney, NSW
  • 1904 - 1918 Ontario, Canada (Immigrated to Canada in 1904 according to the 1911 Census of Canada)
  • c.1899 - c.1900 Perth, WA
  • c.1899 Milford Sound, Otago (Fiordland), NZ
  • c.1892 - c.1893 Waltham Buildings, Bond Street, Sydney, NSW
  • c.1890 - c.1892 Hunter Street, Sydney, NSW
  • c.1888 - c.1899 Sydney, NSW
  • 1 January 1904 - 30 June 1918 Ontario, Canada (Immigrated to Canada in 1904 according to the 1911 Census of Canada)