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SELECTED GROUP.
SELECTED GROUP. Drawings of public art proposals.
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SOLO. Collaboration with Techno Water Design. Sound performance by Carla Thackrah & Morrice Shaw.
SELECTED GROUP. Collaboration with architect John Grealy, 4.5m spiraling column of 950 dinner plates.
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SELECTED GROUP. CD-ROM of interactive art, Artlink Magazine, July 1996.
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SELECTED GROUP & INSTALLATION. 'Rosebite’ projected video into back of stage in old theatre. Quality of video purposely deteriorated to give appearance of old film. Performers: Morrice Shaw, Eoin Meades.
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SOLO INSTALLATION. Collaboration with Zen Zen Zo Physical Theatre. Sound by VoiceArt.
SELECTED GROUP. Projected video installation with recorded sound. Video of Duncan Smith in London, editing Mississippi State University TV centre.
SELECTED GROUP & COMPUTER INSTALLATION. 'Sight of Judgement’ interactive installation combining projections of digital images, black mesh and motion sensors. 840×600×400cm.
NATIONAL.
INSTALLATION. 'You are the Door’ Polythene film, stainless steel, permalar. 400×800×600cm.
SELECTED GROUP & INSTALLATION. 'Memories of Next Easter’ Installation of transparent cibachromes and recorded sound. Sound by Stephen Leek and VoiceArt. 400×400×400cm.
SOLO & INSTALLATION & PERFORMANCE. Polythene film, stainless steel, candles, water, projections. Live sound performance by VoiceArt. 100×20×4metres.
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SELECTED GROUP. 'Sweet Enclosure (tears for the mothers, syrup for the sons)’ Stainless steel, polythene film, Golden Syrup, water. 344×344×240cm.
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Date modified | Dec. 13, 2011, 4:47 p.m. | Oct. 19, 2011, 12:59 p.m. |
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References | [<ExternalResource: Sturgeon, Graeme (1990), ''Wendy Mills' in Contemporary Australian Sculpture', Craftsmen House, Australia, pp 63-66.>, <ExternalResource: Sturgeon, Graeme (1984), ''The Sculptors' in Australian Sculptors Now', National Gallery of Victoria & The Committee of the Second Australian Sculpture Triennial, Australia, pg. 49.>, <ExternalResource: Scarlett, Ken (1993), ''Chapter Four: Recycled Parkland - King Edward Sculpture Park, Brisbane' in Contemporary Sculpture in Australian Gardens', G+B Arts International Limited, distributed by Craftsmen House, Australia, pp 43-46.>, <ExternalResource: Morrell, Timothy (2003), 'Wendy Mills', IMA Publishing, Brisbane, QLD, pp 42-53.>, <ExternalResource: 'Wendy Mills - Intersections between the Seen and the Sensed'.>, <ExternalResource: Macarthur, John (2000), ''Radar Art' in Architecture Australia magazine', VOL 89 ISSUE 1, JAN-FEB. p.>, <ExternalResource: Kirby, Sandy (1992), '"'Sight Lines - Women's Art & Feminist Perspectives'', Gordon and Breach, distributed by Craftsmen House, Australia, pp 130-133.>, <ExternalResource: Hoffie, Pat, 'Not Fence Sitting - The Art on Line Project', Artlink, Australia, 1998, VOL 18 ISSUE 2. pp 32-33.>, <ExternalResource: Helmich, Michel, 'Wendy Mills' Water Tables', Artlink, Australia, 2000, VOL 20 ISSUE 4. pp 62-64.>, <ExternalResource: Burne, Phillippa (1995), 'Portraiture and Technology', Artlink, Australia, , VOL 15 ISSUE 2 & 3. pp 43-.>, <ExternalResource: Perng, Teresa (2009), 'Interview with the artist'.>, <ExternalResource: 'Library of University of New South Wales, Sydney, NSW'.>] | [<ExternalResource: Sturgeon, Graeme (1990), ''Wendy Mills' in Contemporary Australian Sculpture', Craftsmen House, Australia, pp 63-66.>, <ExternalResource: Sturgeon, Graeme (1984), ''The Sculptors' in Australian Sculptors Now', National Gallery of Victoria & The Committee of the Second Australian Sculpture Triennial, Australia, pg. 49.>, <ExternalResource: Scarlett, Ken (1993), ''Chapter Four: Recycled Parkland - King Edward Sculpture Park, Brisbane' in Contemporary Sculpture in Australian Gardens', G+B Arts International Limited, distributed by Craftsmen House, Australia, pp 43-46.>, <ExternalResource: Morrell, Timothy (2003), 'Wendy Mills', IMA Publishing, Brisbane, QLD, pp 42-53.>, <ExternalResource: 'Wendy Mills - Intersections between the Seen and the Sensed'.>, <ExternalResource: Macarthur, John (2000), ''Radar Art' in Architecture Australia magazine', VOL 89 ISSUE 1, JAN-FEB. p.>, <ExternalResource: Kirby, Sandy (1992), '"'Sight Lines - Women's Art & Feminist Perspectives'', Gordon and Breach, distributed by Craftsmen House, Australia, pp 130-133.>, <ExternalResource: Hoffie, Pat, 'Not Fence Sitting - The Art on Line Project', Artlink, Australia, 1998, VOL 18 ISSUE 2. pp 32-33.>, <ExternalResource: Helmich, Michel, 'Wendy Mills' Water Tables', Artlink, Australia, 2000, VOL 20 ISSUE 4. pp 62-64.>, <ExternalResource: Burne, Phillippa (1995), 'Portraiture and Technology', Artlink, Australia, , VOL 15 ISSUE 2 & 3. pp 43-.>, <ExternalResource: Saines, Deborah Durie (1993), 'Interview with the artist', Unknown.>, <ExternalResource: 'Library of University of New South Wales, Sydney, NSW'.>] |
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