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Performance installation with closed circuit video, and sound produced with Revolving Desert Simulators (1978) 1
Photos: Tom MarioniCurator: Rene PriticanFunded by the Bay Area Video Coalition and Langton Street Arts.
Shown at: 80 Langton Street, San Francisco, 11 February, 1982
1Marsh, Anne (1993) Body and self: performance art in Australia 1969-92, Melbourne: Oxford University Press, 1993, p.156
See also Robert Atkins, review of Jill Scott, “Sand the Stimulant,” at 80 Langton St., San Francisco, ArtForum, September 1982 …