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The Lads: Nadz and Dax

by Dreyfus, Ella.

Gelatin silver photograph printed on fibre based paper. 900 x 800 mm

photography

The Lads: Nadz and Dax

by

photography

The Lady Chapel at Exeter Cathedral

by Willis, James A. C..

The Lady Raffles Sunk after Burning in Sydney Cove

by Tebbutt, .

The Lady in Red (portrait of Janet Ashbee)

by Halhed, Harriet.

Felicity Ashbee (see Reference), plate 4

The Lakes, York Road

by Burrowes, Bride M..

oil painting

The Lambert Album

by Dunn, Frederick Alexander.

The Lament

by Mountford, Arlo.

Dual channel HD digital animation, 5.1 surround sound, dimensions variable

The Land Breathes Memory

by Ahmad, Mazin.

Mixed media on canvas 100x100cm

The Landing at Anzac - Gallipoli

by

The Landing at Botany Bay 1788

by Minns, B.E..

The Landing of Captain Cook at Botany Bay

by Macleod, William.

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by White, Anthony.

Motivated by revisionist histories currently at play in the global media, I made this painting to re-examine a dark period of Australia’s history, the so ...

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by White, Anthony.

Motivated by revisionist histories currently at play in the global media, I made this painting to re-examine a dark period of Australia’s history, the so ...

The Lap of Water

by Curtis, Sybil.