Recent works: George Popperwell
Resisting representation the installation challenged the viewer, giving minimal clues to the meanings the works including a lack of pre-emptive titles. Source: Solo Survey Exhibition ...
Resisting representation the installation challenged the viewer, giving minimal clues to the meanings the works including a lack of pre-emptive titles. Source: Solo Survey Exhibition ...
by Hewson, Paul, Walker, Linda Marie.
An installation with video images projected onto opposite ends of the room. The videos are accompanied by multiple soundtracks. Source: Solo Survey Exhibition Linkage Project, ...
by Wicks, Arthur.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS AGNSW archive index cards; AGNSW Library catalogue Exhibition Catalogue: Arthur Wicks, works 1989-1992. Wagga ...
by Searle, Bruce.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS CACSA exhibition archive Exhibition Catalogue: Surrealism and the bride: Bruce Searle. Parkside, South Australia: ...
by Hill, Michael.
Video & Television Festival ’92, Spiral Hall, Tokyo 1992 Curator: Peter Callas Australian Artists: John Gillies & the Sydney Front, Jill Scott, Micheal Hill, Simon ...
by
Curated by Victoria Lynn for the National Museum of Contemporary Art, Seoul, Korea ...
by
Presented by Sydney Intermedia Network ...
by
Single channel video projection installation at Roslyn Oxley9 Gallery ...
by Bell, Richard.
Artistic director Tony Bond's vision for the 9th Biennale of Sydney was to reflect a shift from the art making centres of Europe and the ...
by Campbell, Barbara, Cavallaro, Alessio.
TISEA: Cultural Diversity in the Global Village The Third International Symposium on Electronic Art (TISEA) was held in Sydney, 9-13 November, 1992 ...
by
Co-ordinated for the Sydney Intermedia Network by Matthew Leonard and Brent Clough ...
by
ANAT's fourth National Summer School was held at the Royal Melbourne Institute of Technology for four weeks during January 1992 ...
by Gregory, Ina.
Exhibition curated by Victoria Hammond and Juliet Peers that indicated the strength of women's contribution to Australian art in the late 19th century.