by Baraki, Bashir, Brown, Leonard, Cooley, Peter, Davila, Juan, Harris, Brent, Jones, Mathew, McDiarmid, David, Redford, Scott, Roberts, Luke, To, Hiram, Tully, Peter, Wallace, Ross.
AGLASSOFWATER project curated by Luke Roberts and Scott Redford; Initiated by the Institute of Modern Art, Brisbane QLD. The Sydney Tour of You Are Here ...
by McDiarmid, David.
A 1992 Sydney Gay and Lesbian Mardi Gras Festival exhibition. Included 9 gay male artists David McDiarmid, Peter Tully, Gavan Browne , Gordon Fitchett, Murray ...
An exhibition of paintings by John Bissland. Source: Queen Victoria Museum & Art Gallery History Archive.
by Burns, David.
A one day installation 4 March 1972 by Launceston based artist David Burns. Source: Queen Victoria Museum & Art Gallery History Archive.
by Kollo, Zsuzsa.
An exhibition of painting and sculpture by Zsuzsa Kollo. Source: Queen Victoria Museum & Art Gallery History Archive.
by Audet, Carolyn.
An exhibition by Carolyn Audet of assemblage, ceramics and collages using the myth of Sibyls as a theme. Most of the work represented the female ...
by Grasse, Wolfgang.
An exhibition of German born Grasse, painting in the tradition of central European symbolic and mystical art. Source: Queen Victoria Museum & Art Gallery History ...
by Grieve, Patrick.
Grieve's first solo exhibition in Tasmania, as a recent graduate of the Tasmanian School of Art. His work is a personal response to the environment. ...
by Reeves, Katie.
An installation of printable, moveable objects composing seven parts. The exhibition of Pop-ups played with the world with concerns for the different forms of printed ...
by Senbergs, Rhonda .
Three performances by Senbergs of her audio visual talks on famous Australian artists from the series she has been taking for nearly 20 years. Source: ...
by Greenwood, Rebecca, Whitebeach, Terry Anne (Pravina) .
A joint project with Rebecca Greenwood (photographer) and Terry Anne (Pravina) Whitebeach (writer) which explored the relationship between landscape and identity, and peripheral land dominant ...
by Ambrose, Roger, Bradley, Jill, Delrue, Chantale, Grey, Victoria, Habel, Robert, Jackson, Jo-Ellen, Lettau, Karin, Lewis, David, Marsden, David, Mason, Penelope Louise, Muruste, Michael, North, Diana, Whittle, Jooles.
Works by members of Arthouse - Roger Ambrose, Chantale Delrue, Robert Habel, Michael Muruste, Penny Mason, David Marsden, Jo-Ellen Jackson, Karin Lettau, Jooles Whittle, Diana ...
by Chunyan, Lin, Downie, Chris, Gong, Da, Wei, Guan, Xian, Ah, Xiaoxian, Lui, Xueming, Ku, Yan, Li, Yong-Bin, Li, Youshen, Wang.
The work of eight Chinese artists, four living and working in Beijing, four living and working in Australia. The artists were Wang Youshen, Da Gong, ...
by Beattie, Annalea, Daw, Kate, Martinelli, Avril.
An exhibition about the shared concerns of the three exhibiting artists and the histories of tastes and paint. Artists were Annalea Beattie, Kate Daw, Avril ...
by Prescott, K T , Stockdale, Jacqui.
An exhibition of figurative painting and drawing by two women Jacqui Stockdale and K T Prescott. Source: Queen Victoria Museum & Art Gallery History Archive.
by Febey, Rodney, Fogg, Richard, Glass, Carol, Jolly, Warwick, Kelly, Sean, Williams, Cameron.
The work of five artists (Rodney Febey, Carol Glass, Cameron Williams, Warwick Jolly and Richard Fogg), not in the main stream art establishment. Their work ...
by Farrell, Rose, Parkin, George.
An exhibtion of six large photographic works by Melbourne artists Rose Farrell and George Parkin, produced during their four month residency at Griffith Artworks, Griffith ...
by Casey, Karen, Creavin, Florence, Gamble, Betsy, Hauser, Karen, Hood, Alison, Jenyns, Lorraine, Lohrey, Grant, Munday, Ian.
Because of Tasmania's leading role in Green awareness in Australia, it seemed appropriate to exhibit the work of Tasmanian artists addressing these isues. Seven artists ...
by Dreyfus, Ella.
_Pregnancy Series_ is study of women in the latter stages of their pregnancies, showing the explosiveness of the pregnant woman's body - the curves, the ...
