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Price, Katie, b. 1978
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Currie, Bridget, b. 1979
Bridget Currie is a sculptor and installation artist known for her delicate and awkward abstraction. Currie was a Founding Member and Co-Director of Downtown Artist ...
Franklin, Amanda, b. 1979
Arts worker and visual artist who has exhibited in the 2006, 2007 and 2008 'Our Mob' exhibitions at the Adelaide Festival Centre.
Groom, Amala, b. 1979
Amala Groom is a proud Wiradjuri artist who utilizes a decolonising methodology to inform her creative process. Her practice can be described as multi-disciplinary and ...
Johncock, Felicity, b. 1979
Painter who showed in the 2006, 2007 and 2008 'Our Mob' exhibition at the Adelaide Festival Centre.
Johnson, Helen, b. 1979
Helen Johnson's paintings are concerned with how art can be used to create contemplative spaces, to consider different ways of thinking.
Marynowsky, Tara, b. 1979
Tara Marynowsky is a painter and mixed media artist whose work explores otherworldly matters and beings with an emphasis on adornment and costume.
Mestrom, Sanné, b. 1979
Sanne Mestrom is a contemporary artist. Her practice is both experimental and conceptual.
Namok, Rosella, b. 1979
Painter, printmaker and sculptor and original member of the Lockhart River Art Gang, far north-east coastal Queensland. Her abstract work links the landscape, weather, people ...
Waters, Sera, b. 1979
Artist, writer and educator, Sera Waters has established a strong South Australian profile. In 2002 she was the recipient of an 'Artists-in-Studios' grant, and in ...
Wilkins, Wendy, b. 1979
Wendy Wilkins is an Australian artist based in Europe. In 2000 she began working as an exclusive collaborator with Wes Hill under the name of ...
Ahmed, Zehra, b. 1980
Zehra Ahmed is Sydney-born artist working mainly in New Media. Her artworks reflect her interest in political affairs, international equality and certain prejudicial attitudes of ...
Benson, Ellen Jaye, b. 1980
Mixed-media artist based in the Illawara region. Her work is seated somewhere between representation and abstraction, and treads both observed and metaphorical territories.