William Bruce led a full life. Apprenticed as a engraver, transported as a housebreaker to Van Diemen's land, he established himself as clockmaker and engraver.
Received thanks for his contribution to the illustrations of Woods's 'A History of the Discovery and Exploration of Australia' (2 vols, London, 1865). for the ...
Burn's watercolour and oil landscapes demonstrate his success in capturing the changing effects of light and atmosphere as well as incorporating interesting contemporary details.
Young exploratory surveyor who impressed others with his work so much that they named the most beautiful waterfall in that area 'Govett's Leap'. He was ...
Colonial era sketcher, architect, builder and pastoralist, he established Melbourne's first private architectural practice, and in 1841 drew an enormous 'PANORAMIC Sketch of MELBOURNE Port ...
A watercolourist, etcher and lithographer who liked to depict Shakespearian and mythological subjects. He was best known for his portraits and actively took part in ...
A photographer and dentist. He spent the majority of his life practising as a dentist however he did open Australia's first photographic business. He taught ...
Sarah Westall Poynter (née Meredith) was a painter and sketcher. Leaving from London in 1820, she came to Van Diemen's Land with her father, step-mother ...
Charles Price was known as a painter, amateur photographer, architect and Independent (Congregational) clergyman. He designed and erected, at his own expense, the brick Congregational ...
Painted mainly domestic scenes, von Stieglitz also painted portraits of Tasmanian Aboriginal men and women. The latter were regarded as inferior because they were colonial ...
Shipped to Tasmania for robbing a grocery shop, Strange established himself as a portrait painter in Launceston where he also painted a number of views ...
Walker received little formal education, but as a young woman showed considerable talent in the art of modelling. She would become very well known for ...
Colonial male photographer whose diverse practice of producing wet-plate albumen prints, ambrotypes, alabastrine portraits and daguerreotypes seems to have existed for only two years before ...