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How to describe the shining upon the dreaded loam

by Graham, Peter Sebastian.

I object no. 1

by Dowling, Julie.

60 x 30 cm

synthetic polymer paint, red ochre on canvas

I object no. 10

by Dowling, Julie.

60 x 30 cm

synthetic polymer paint, red ochre on canvas

I object no. 2

by Dowling, Julie.

60 x 30 cm

synthetic polymer paint , red ochre on canvas

I object no. 3

by Dowling, Julie.

60 x 30 cm

synthetic polymer paint , red ochre on canvas

I object no. 4

by Dowling, Julie.

60 x 30 cm

synthetic polymer paint , red ochre on canvas

I object no. 5

by Dowling, Julie.

60 x 30 cm

synthetic polymer paint, red ochre on canvas

I object no. 6

by Dowling, Julie.

60 x 30 cm

synthetic polymer paint, red ochre on canvas

I object no. 7

by Dowling, Julie.

60 x 30 cm

synthetic polymer paint , red ochre on canvas

I object no. 8

by Dowling, Julie.

60 x 30 cm

synthetic polymer paint , red ochre on canvas

I object no. 9

by Dowling, Julie.

60 x 30 cm

synthetic polymer paint, red ochre on canvas

I was made for loving you

by Haig, Ian.

Screen

In Curiosity We Fit

by Netto, Vanila.

111 x 137.7 cm, edition 5

digital print on aluminium

In Her Fall

by O'Callaghan, Mel.

Lamda print on aluminium, unique state, 100 x 110 cm

In a few seconds across the ocean

by Andrews, Ian.

In a Few Seconds Across the Ocean refers to, and interrogates a number of references from 20th century art that might broadly be described as ...

Installation

In her Fall

by O Callaghan, Mel.

100 x 110 cm

Lamda print on aluminium, unique state

In the Waste Impressive Still

by Curtis, Sybil.

Innerscapes

by Williams, Alison.

Interior II

by Eager, Wayne.

152 x 168 cm

Oil on linen

Interpretive signage for Dr Charles McKay Reserve

by Johnson, Philippa.