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The ascent of Jesus 1984

by Coleing, Tony, Higson, Shayne.

A possible reason why Jesus got out when he did. d/Archive

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The barn

by Merfield, Bertha Elizabeth.

oil, 32 x 42 cm, signed, Leonard Joel, April 1989, $400 (auction record)

The beginning the end

by Chandler, Wendy.

Animated plasticine I the machine cavorts and negotiates labyrinths until drawn into the vortex. d/Archive

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The big eat

by

One Man Eats and then disappears; … THRILLER!! d/Archive

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The big parade

by Cooper, Simon.

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The black triangle

by

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The blind pay well

by Gasparinatos, Emmanuel.

In and out of spite, luck & time, the charming and the destitute insist on continuity. d/Archive

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The bottom of the Harbour

by Fieldhouse, Simon.

The bowel-houndromat

by Windmill, Chris.

The Bowel-Houndromat' telts the story of two groups of advertising executives from different social echelons ...

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The boxer

by Cadell, John Hepburn.

The broken vase

by Auld, James Muir.

The cat's eye nebula

by Seed, John.

55 x 35 x 30 cm

Painted steel

The cat’s coloured paradise

by Mutoh, Ki-ichi.

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The chase

by Boyd, David.

90 x 100 cm

Oil on canvas

The city theory

by Cooper, Simon.

All around my world. d/Archive

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The dance

by Boyd, David.

85 x 92 cm

Oil on canvas

The deQuincy tapes

by Gillies, John.

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The disco-mixers

by Fletcher, Paul.

Disco-Mutant presents the story of Barry Travolta and Sylvie Sue; more flunky than funky, d/Archive

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The end by sundown

by Davies, Ruby.

The possibility of a woman galloping off into the sunset … d/Archive

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The eternal return

by Boyd, David.

117 x 127 cm

Oil on canvas