Q: Would you recognize a virtual paradise?
The work questions virtual and actual worlds, and takes its lead from the ubiquity of pervasive online gaming and refers to historical notion of the ...
The work questions virtual and actual worlds, and takes its lead from the ubiquity of pervasive online gaming and refers to historical notion of the ...
by Bezor, Annette.
Autobiographical in a sublime manner in which artist continually reflects on the exposeire in the subjects of her paintings. The diptych serves as vehicle for ...
by Gill, Simryn, Hall, Fiona.
A knitted a matinee jacket, a bonnet and bootees, and made a rattle/teething ring from thin metal strips cut from Coke cans. The six pack ...
by Iwanczak, Bronia.
Explored the relationship between machines and humans, and the nebulous distinction between the living and the dead. Source: Solo Survey Exhibition Linkage Project, Tasmanian School ...
by Hart, Anton.
The exhibition is a personal journey into the mind of the neo-romantic, as the artist lays bare his soul. Broader concerns are with the notions ...
by Adil, Mehmet.
Elements of everyday materials: Room 1: 2,000 unspent matches piled on the floor, a violin bow tunnels through the top of the pile, 6 tall ...
by Watson, Jenny.
Tour managed by the Australian Exhibitions Touring Agency on behalf of the Australia Council. Work from the 45th Venice Biennale 1993. Watson works with a ...
by Barringer, Gwendoline L'Avance, Black, Dorrit, Bloxam, Ethel Annie, Bowen, Stella, Buxton, Jessamine, Chapman, Dora Cecil, Davidson, Bessie, Fiveash, Rosa, Gee, Annie Laura Vernon, Goodchild, Doreen, Graetz, Juliette, Grigg, May, Gwynne, Marjorie, Hambidge, Alice, Hambidge, Helen, Hambidge, Millicent, Harris, Mary Packer, Heaven, Judith, Henty, Ruby, Heysen, Nora, Hick, Jacqueline, Hylton, Jane, Kohlhagen, Lisette Anna, Lock-Weir, Tracey, Lowcay, Rose, McNamara, Leila Constance, Pornett, Muriel, Preston, Margaret, Reynell, Gladys, Sauerbier, Kathleen Margaret, Tuck, Marie, Tuck, Ruth.
Presented for the South Australian Centenary of Women's Suffrage in 1994, included in _PastPresent_ as a precursor to the National Women's Art Exhibition of 1995.
by Mosey, Anne.
ngurra (camp/home/country) was one of a series of collaborative installations between Anne Mosey and Dolly Nampijinpa Daniels. The two women created complementary living spaces in ...
SOLO
by Graham, Anne.
SOLO
by Pearce, Barry, Whiteley, Brett.
An AGNSW touring exhibition. Toured to MAGNT, AGWA, AGSA, NGV and TMAG. Presented by Optus Communications; WA sponsor: The Western Australian. This exhibition was a ...
by Grayson, Richard, Rizkalla, Alex.
The starting point was a reflection by Wittgenstein on how words might be placed or generated, whether they are held in place through images. Source: ...
by Grayson, Richard, Young, Lisa E.
Consisted of furniture and domestic interiors constructed by the artist referencing ideas of sixties and seventies opulence best exemplified in the interiors of Graceland. Speask ...
by Barbour, John, Grayson, Richard.
The painted sheets of hardboard propped by means of sticks across the gallery floor were stripped of their function and readings, and shift into another ...
by Barrett, Di, Grayson, Richard.
A series of works, made via computer technology and colour photocopying, using images drawn from adverts offering fetishistic clothing and accessories, and images of the ...