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image of Boyd, Merric
Boyd, Merric, b. 1888
Merric Boyd's organic decorative ceramics led him to be credited as the father of studio pottery in Australia. He was also a dominant figure in ...
image of Hawkins, Weaver
Hawkins, Weaver, b. 1893
One of the great advocates for contemporary art in New South Wales. After he was left on the Western Front in World War I, he ...
Waller, Mervyn Napier, b. 1893
World War I veteran printmaker, painter, stained glass artist, mosaic artist and muralist. whose work epitomised Art Deco in Australia. Husband of Christian Waller.
image of Murch, Arthur James
Murch, Arthur James, b. 1902
Painter and sculptor, assistant to George Lambert, and in World War II the War artist who captured images of the bombed city of Darwin. Later ...
Shaw, Rod, b. 1915
Rod Shaw was a dominant figure in the left wing Studio of Realist Art in the 1950s while also being half of the progressive publisher, ...
image of O'Brien, Justin
O'Brien, Justin, b. 1917
Justin O'Brien was known at first for his Byzantine influenced paintings of Christian iconography and later for sun drenched studies of Mediterranean landscapes. He was ...
image of Rushforth, Peter
Rushforth, Peter, b. 1920
Peter Rushforth's pots are a synthesis of European and Japanese aesthetic influences. He came to an appreciation of the Japanese Mingei (folk) aesthetic in unusual ...
Ashburn, Liz, b. 1939
Liz Ashburn is a feminist installation artist whose work has long been concerned with social issues, especially the impact of war and conflict. For many ...
Page, Tim, b. 1944
Page arrived in Australia in 2002 after an international career as a photojournalist, primarily focussing on war photography.
Gray, Anna, b. 1947
Anna Gray is the Head of Australian Art at the National Gallery of Australia. Originally from Western Australia she has been critical in bringing the ...
Quilty, Ben, b. 1973
Although he came to public attention with his paintings of cars, Ben Quilty is best known for his deeply impacted expressionist portraits. .For four years ...
'What Comes After War?' Afghanistan, Australia and Iraq.

by Ashburn, Liz, Holder, Jo, Rahimi, Abdul Karim .

The rich colours and intricate compositions of traditional miniature painting are an unlikely form of war documentation in the age of embedded journalism, selective briefings ...

Eyewitness [preparatory materials]

by Lyssiotis, Peter, Strasser, Theo.

Working notes (2006-2007) -- Mock-up -- Publicity notes --- CD with images of each page, 3 v.: c ill.; 30-44 cm. + 1 CD-Rom.

Works on paper and compact disk

If his voice be true

by Lyssiotis, Peter, Twigg, Anne.

Melbourne: Masterthief, limited edition of 16, 1 v.: col. ill.; 22 cm.

Works on paper

If his voice be true [draft]

by Lyssiotis, Peter, Twigg, Anne.

[4] leaves: col. ill.; 95 x 69 cm. (folded to ca. 35 x 23 cm.) + [2] leaves (30 cm)

Works on paper

Ex-libris for the unknown

by Fogwell, Dianne.

Canberra: D. Fogwell, limited edition of 10 copies, [19] p.: 18 ill.; 15 cm.

Works on paper, Linocuts

Eyewitness

by Lyssiotis, Peter, Strasser, Theo.

Melbourne: T. Strasser & P. Lyssiotis, limited edition of 10 copies with 4 artists' proofs, 1 v. (unpaged): chiefly ill.; 26 x 51 cm.

Works on paper

Family Tree

by Sandon, Karen Valerie.

Part of the major work exhibited at La Trobe Regional Gallery in 'Mindful Things', Digital Image on rag paper, 1100 x 2050mm.

Printmedia -photography

Yininmadyemi

by Albert, Tony.

Yininmadyemi translates to "Thou Didst Let Fall,". It depicts four standing bullets and three fallen shells that represent Indigenous soldiers who both survived and were ...

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by