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Mode of Disposal of the Dead in Australia

by Wiseman, William Saltonstall.

Holgraphic Models

by Dawson, Paula.

Solo exhibition

Limits of the Model

by von Sturmer, Daniel.

Solo exhibition

Gamelab, a model for independent game developers.

by Zimmerman, Eric.

Model for Community Art

by Hobba, Leigh.

Documentation from Perth residency by Leigh Hobba

The Model Citizen

by Sadia, Sadia.

Premiere: three channel video installation with eight channel soundfield 'Ghosts of Noise' at the RMIT Gallery exhibition 'The Model Citizen, curated by Sean Redmond and ...

Limits of the Model

by von Sturmer, Daniel.

Model

by Norling, Robin.

Model Canoe

by Graham, Vernon.

Models for Florentia

by Owen, Robert George.

Studio view; 20 x 20 x 20 cm (approx.); edition 45 production: Artery Cooperative Ltd (Luke Adams, Hilary Jackman, Jeph Neale, Andrew Sinclair and Peter ...

painted steel

The Model

by Coghlan, Elaine E..

The Model

by Coventry, Frederick Halford.

Chalk drawing. Exhibited in Drawings & Engravings by F.H. Coventry Exhibition, Twenty-One Gallery, London, 1930 (cat. 15).

Model/artist

by Campbell, Eliza, Trainor, Johanna.

Screen

Modern Addiction

by Schattner, Gillie and Marc.

Classical Modernism: The George Bell Circle

by Mercer, Mary, Shirlow, Florence, Unsworth, Ken.

Ancient Culture. Modern Art

by Wilson, Regina Pilawuk.

The Mediations Biennial of Modern Art

by Armstrong, Keith.

Zamek Centre For Art and Culture, Poznan, Poland.

The Face of Australia, and Classical Modernism: The George Bell Circle

by Fairweather, Ian.

The Modern Art Gallery

by Vozzo, Vince.

Galerie de l’effort moderne

by