The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM
by
by White, Anthony.
Motivated by revisionist histories currently at play in the global media, I made this painting to re-examine a dark period of Australia’s history, the so ...
by White, Anthony.
Motivated by revisionist histories currently at play in the global media, I made this painting to re-examine a dark period of Australia’s history, the so ...
by Xian, Ah.
Regional touring exhibition
by Barth, James, Davidson, Katina, Jackson, Beth, Lawrie, Dana, Milinski, Julie-Anne, Poppi, Clare, Randell, Merri, Riethmuller, Leena, Serisier, Camille, Stone, Lynden , Wells, Shayna. Clark Beaumont.
Group Exhibition. CrosseXions draws together the work of 12 early-career, Brisbane-based women and transgender artists who are inscribing feminist and environmental concerns within their art ...
by Corbet, David.
Part of Ex Libris Fisherarium series
by Glynn, Anna.
Glynn’s Yarra River Stories sound piece was played in 2011 on ABC Radio National '360 Documentaries'. This was made up of a half hour program ...
sound piece
by Fan, Dongwang.
Group Exhibition
by Esson, Merran.
group exhibition
by Searle, Ken.
Landscape art through the lens of the Charles Nodrum Gallery, Melbourne
by Poignant, Axel, Poignant, Roslyn.
Biographic exhibition surveys this photographer’s formative years in Perth, Western Australia from July 1931 to the end of 1942.
by West, Hayley.
*1 million years* saw the return of another former Darwin-based artist to NCCA, with NSW-based Hayley West employing sculpture and video-based performance to address persistent ...
by Lawrence, Kay, Orchard, Christopher, Platten, Anna, Taylor, Rod, Valamanesh, Hossein.
"In the Beginning..." Highlighted the School’s origin at Bloor Court (1982-1988), presenting the work of some of those who contributed to the School’s foundation, including ...