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Sauve Qui Peut seminar

by Bergstrom, Janet.

Janet Bergstrom (USA), screening and discussion of Godard film, Classic cinema and EAF

Community Art Seminars

by Adams, Jude.

1. Community Art in its Context (September) 2. Community Arts Alternatives (October) 3. Community Art summary (November) Jude Adams, end of series

Seminar/ Public Meeting

by Waterlow, Nick.

Nick Waterlow discussion of plans for the next Biennale

Artefact: Semiomorph

by Innocent, Troy.

The Artefact project explores the language of computer-mediated space as it is expressed in games -its unique internal logic and properties ...

software

Sens I

by Mais, Hilarie.

27.5 x 27.5 x 15 cm

oil paint on wood

MEMBRO ALBO DORO DEL SENATO ACCADEMICO

International Academy of Modern Art, Rome, Italy

Jan Senbergs and John Armstrong

by Armstrong, John, Senbergs, Jan.

An exhibition of works which represented Australia at the 1973 Sao Paulo Biennale in Brazil, brought to Adelaide with assistance from the Visual Arts Board ...

Jan Senbergs: mining landscapes, Mt Lyell

by Senbergs, Jan.

Research funded by the Visual Arts Board of the Australia Council. The first of a series of surveys of contemporary Australian art organised by the ...

Jan Senbergs: Armidale 42: memory and imagination

by Senbergs, Jan.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Ian Potter University of Melbourne exhibition archive; National Library of Australia catalogue Exhibition Catalogue: ...

Rhonda Senbergs

by Senbergs, Rhonda .

Three performances by Senbergs of her audio visual talks on famous Australian artists from the series she has been taking for nearly 20 years. Source: ...

Jan Senbergs: from screen printer to painter

by Senbergs, Jan.

A survey of the development of the work of Senbergs, from his early screenprints, paintings related to them and a number of his paintings from ...

Jan Senbergs: Observation - Imagination

by Senbergs, Jan.

A comprehensive retrospective of the artist, examining his long career in detail – his humanist vision, finely-homed sense of humour and rigorous studio practice.