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Abstract Australian Sculpture from 1970: A Continuing Tradition, 4th Biennale of Sydney Satellite Exhibition

by Mais, Hilarie.

Artists in Focus - Iconography: Traditions and Influence

by Tillers, Imants.

Traditional Owners Ceremony

by Nain, Clinton.

Choreography and performance

Art & Kabbalah: Contemporary Responses to an Ancient Tradition

by Owen, Robert George.

The private collector: aspects of the Leach-Hamada tradition in Australia'

by Hanssen Pigott, Gwyn.

Aboriginal Art: A Continuing Tradition

by Casey, Karen, Hayward, Bevan.

Raw and Compelling, Australian Naïve Art-the continuing tradition

by Bastin, Henri.

and touring

Raw and compelling: Australian naive art, the continuing tradition

by Callins, Charles, Fardoulys, James.

Raw and Compelling, Australian Naïve Art - the continuing tradition

by Homer, Irvine.

A Swan Hill Regional Art Gallery Travelling Exhibition.

The Studio Tradition

by Esson, Merran.

Midnight Stitchers: Traditional and innovative quilts

by Beaumont, Kerry, Chapman, Yvonne, Hickey, Bronwyn, Johnson, Jane, Naess, Felicity, Nagel, Sandy, Neilson, Michele, O'Sullivan, Leslye, Schadeberg-Brutzer, Andrea, Vanderkooi, Jill, Wademan, Sue.

Gary Dufour: Obedient Object/Specific Traditions

by Dufour, Gary.

Cast and constructed replicas of domestic and museum objects. The production of the objects employs specific sculptural traditions contrasted to the function and situation of ...

Blue Gum BP Art Prize, 'Traditional Section'

Equal first prize

Commissioned to design mural recognising Bedigal people's traditional ownership of the Canterbury region, by Canterbury City Council, 2004
Traditional landscape, Royal National Agricultural and Industrial Association Annual Exhbition

Dr Gertrude Langer awarded prize to 'Shearing the rams at Tinnemburra'

Tradition/Tension: Contemporary Arts in Asia

by Christanto, Dadang.

Travelled to Vancouver, Canada; Perth, WA

The Battle of Trafalgar

by Stuart, William.

Trafalgar Fountain Topology

by MacNeil, Jess.

Oil on acrylic sheet, 90 x 70 x 9 cm, courtesy the artist and Gallery Barry Keldoulis, Sydney

Geelong to Melbourne Railway Opening for Public Traffic, by His Excellency Sir Henry Barkly, K.C.B., 25th June 1857

by Snell, Edward.

Study for The Traffic Reflector

by Smart, Jeffrey.

39.6 x 46 cm Purchased 1976. Transferred from Sydney College of Advanced Education 1990. Sydney University Art Collection UA1990.271

oil on canvas