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(Male nude – full-length, back view with arms crossed)

by Ramsay, Hugh.

61.5 x 47.6 cm

crayon on paper

(New England views)

by Martin, Margaret Discombe.

(North view of Hobart)

by Myers, Edward.

A vignetted north view of Hobart for a music cover, 'The Delacourt Bouquet'.

(Nude study - female model, half-draped, front view with arms on boxes)

by Ramsay, Hugh.

81.5 x 101 cm

oil on canvas

(Nude study – female model, seated front view)

by Ramsay, Hugh.

71.2 x 50.2 cm

crayon on paper

(Panorama of Adelaide views)

by Opie, Edward.

(Panoramic view of Albany)

by Clifton, William Carmult.

(Panoramic view of Hong Kong from the deck of the John Adams)

by Smedley, John.

(Photographic views of Australian Scenery)

by Montefiore, Octavius.

(Pyrmont view)

by Christie, Steadman.

(Rear View, Esrom House, Bathurst)

by Beuzeville, Elvina de.

(Seated female nude – full-length, side view)

by Ramsay, Hugh.

72 x 56.2 cm

charcoal on paper

(Standing male nude, back view)

by Ramsay, Hugh.

84.2 x 30.1 cm sheet (irreg.); 101.8 x 47.3 x 3.7 cm frame

black and white pastel on paper

(Standing male nude, full-length, back view with staff)

by Ramsay, Hugh.

62.5 x 47.9 cm

charcoal on paper

(Subterranean Views of Fish River Caves and Blue Mountains scenery)

by Caney & Co..

(38 separate views).

(Tent-town viewed from the top of Big Hill at Bendigo)

by Tempsky, Gustavus Von.

(Tower Hill view)

by Clarke, Daniel.

(View of Aboriginal huts)

by Sykes, John.

(View of Bathurst)

by Backler, Joseph.

(View of Belfast at Port Fairy, Victoria)

by Trew, Lennox.