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"Why Hast Thou Forsaken Me?"

by Taylor, George Augustus.

Dee Why Beach Urban Design Project

by Goodwin, Richard.

In collaboration with Spackman Mossop Sydney. Urban design including art and architectural features.

Ka'ra'ca'coo'a Bay in the Island of O'why'he [Hawaii]

by Roberts, Henry.

The Beach, Dee Why, Sydney

by Sherwood, Maud W..

Why Australian men pay for it

by Anderson, Kevin, Parham, Don.

SBS Television

Moving Image

Why Does a Dog Lick Its Balls?

by Douglas, Blak.

Finalist in 2005 NSW Parliament House Indigenous Art Prize

Why Jordan Doesn't Play Cricket

by Raymond, Andrew Jason .

Commonwealth is underscored by finding opponents to conquer in a strange ritual

Why She Cries

by Nain, Clinton.

152 x 92 cm

acrylic, bitumen, varnish, pencil on canvas

Why for Love

by Porter, Carol.

Mars and Venus and the thing which is bigger than both of us

by Gilchrist, Maggie, Hall, Adrian, Pether, Louise.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS IDG archive printout; National Library of Australia catalogue Exhibition Catalogue: Adrian Hall: Mars & ...

Sculpture installations in the park: Shane Kent: a face on which time makes but little impression

by Kent, Shane.

A sculpture installation in Heide Park. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Heide exhibition archive

To paint a series of biblical pictures for Rheims Cathedral, which she completed back at Adelaide
Italian Government commissioned a series of Alice Springs landscapes (which time did not allow her to carry out).
(Fairy on a mushroom inside a decorative border which incorporates flowers and grotesque masks)

by Smith, Bernhard.

That Which Requires Space

by Bennie, Christopher.

Video

View of the Disastrous Fire in Mostyn Street, Castlemaine on Sunday 15 April 1860, by which Five Lives were Sacrificed

by Clarke, Cuthbert Charles.

Which is the Burning Question? [Cricket or Federation?]

by Vincent, Alfred James.

Which is to Stand in Front?

by May, Philip William.

Whichaway? : photographs from Kiwirrkura 1974-1996

by Rhodes, Jon.

Well known in the 70's for his distinctive sequence photography, committed to documenting Aboriginal communities, an activity which became a lifetime focus. Source: Solo Survey ...

John Rhodes: whichaway?

by Rhodes, Jon.

Distinctive sequence photography. Committed to documenting Aboriginal communities. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS SOFA exhibition archive; http://www.stillsgallery.com.au/printroom/j_rhodes/index.php Exhibition Catalogue: ...