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The Man who would be King

by Powditch, James.

The man who would not be sketched

by May, Philip William.

What Would it Mean to Win?

by Begg, Zanny.

When it would rain

by Muir, Michael.

91 x 91 cm

oil on canvas

Whoever would envy Sabrina

by Brownhill, G..

Intimate documentation of woman’s will to alter what nature has provided. d/Archive

Screen

Would he were fatter

by Gibbs, May.

Would one or two little hurrahs be in order if the Russians win?

by King, Clarence.

Washing the Wound

by Christanto, Dadang.

PERFORMANCE

Wounds: Between Democracy and Redemption in Contemporary Art

by Parr, Mike.

Three Installations, Echo (A Warring Peace; A Sweet Wound; A Mild Evil)

by Owen, Robert George.

A Warring Peace; A Sweet Wound; A Mild Evil

by Owen, Robert George.

SOLO

Wounded: land, memory and destiny

by Majzner, Victor, O'Halloran, David.

A major exhibition of paintings that focused on 2 little known moments in Australian history: the murder of Aboriginal people at Mistake Creek and the ...

Embarkation of the Last W.A.A.C.s' Transport of the A.I.F. Wounded Leaving Southampton

by Meeson Coates, Dora.

First Australian wounded at Gallipoli arriving at Wandsworth Hospital, London

by Coates, George.

Heavy wounds series no.10

by Xian, Ah.

110 x 90cm

Oil on Canvas

Trugati bona (men with wounds)

by Birnie, Joel.

In collection of the Tasmanian Museum and Art Gallery, TAS

Wounded heart

by Fisher, Lily.

Screen

Snaring the Wourang

by Newall, Thomas Agar.

Doctor [Woureddy], Trooganana [Trukanini] and Nelson

by Grant, James.

The Doctor of the Tasmanian Natives [Woureddy]

by Grant, James.