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by Brown, Kaye, Kerinauia, Raelene , Marawili, Nongirrna, Marika, Banduk, Maymuru, Galuma, Minnapinni, Michelle Woody, Munungurr, Marrnyula , Munungurr, Rerrkirrwana, Wirrpanda, Mulkun, Wirrpanda, Liyawaday.
_Matriarchs: Motherlines of the Yolgnu and Tiwi Islands_, brings together generations of artists committed to keeping Yolgnu and Tiwi law and culture strong. The exhibition ...
by Yonetani, Ken.
Sugar is used as a much larger metaphor, questioning the environmental impact of our desire to consume. Funded by the Australia Council and the NSW ...
by
Peter Callas, Kiru Umi No Yoni (Cutting like the ocean), video installation, Roslyn Oxley9 Gallery ...
by Callas, Peter.
Kiru Umi No Yoni / Cutting Like the Ocean; A Didactic Document Version I, (1983), 21:53 mins, Tokyo. One of Callas’ most personally confronting and ...
Single channel video work
by Callas, Peter.
Kiru Umi No Yoni/Cutting Like the Ocean; A Didactic Document, Version II, (1986), 21:53 mins, Tokyo. One of Callas’ most personally confronting and important works ...
Single channel video work
by Callas, Peter.
installation incorporating video, 1983 Kaneko Art G1 Tokyo, (1983); Roslyn Oxley Gallery Sydney (1983); “Interface” University Gallery Adelaide (1984) Installation on which the tape Kiru ...
Interactive Video Installation
by Toomath, Alma.
Public artwork commissioned by the East Perth Redevelopment Authority, for Claisebrook Cove.
by Omeenyo, Fiona.
ALSO: 2001
by Annand, Douglas.
Art Director for the Australian Pavilion
by Campbell, Janine.
Group exhibition