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by North, Ian.
Solo exhibition
Jan Hubrechsen and the Pavilion Players, performance art Source:Britton, Stephanie (ed.) 1984, A decade at the EAF: A History of the Experimental Art Foundation 1974-1984, ...
by Cranswick, David, Dawson, Paula, Guthrie, Richard, Stelarc, .
ANAT’s 1990 National Summer School in Computer Aided Art, Design and Manufacture, held at and supported by the Advanced Technology Education Centre (ATEC), Regency College ...
by Grayson, Richard, Tan, Laurens.
Laurens Tan used a monitor as the central focus of a piece that was essentially a non-operational poker machine, borrowed the form of a futuristic ...
by Vance, Warren.
An exhibition of new works, sculptures and collages. Strange conjunctions of kitsch images and objects, teaming picturesque National Geographic style photographic images, often of pristine ...
by Searle, Bruce.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS CACSA exhibition archive Exhibition Catalogue: Surrealism and the bride: Bruce Searle. Parkside, South Australia: ...
An installation of seductive, stark, graphic paintings intended as signs or 'surrogates' that deputise for works of art. The paintings are details of a larger ...
by Redgate, Jacky.
SOLO. ALSO TOURED TO: Perth Institute Contemporary Arts, Perth, WA
by Redgate, Jacky.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS National Library of Australia catalogue Exhibition Catalogue: Jacky Redgate: survey 1980-2003: exhibition 3. Parkside, ...
by Redgate, Jacky.
Project #3 in the series CONTEMPORARY VISUAL ART PROJECTS SA 2004, CACSA presents the first of three exhibitions surveying the work of the artist. This ...
by Redgate, Jacky.
NSW Government Ministry for the Arts, and the Gordon Darling Foundation. Project #5 in the series CONTEMPORARY VISUAL ART PROJECTS SA 2004. The second of ...
by Redgate, Jacky.
Project #6 in the series CONTEMPORARY VISUAL ART PROJECTS SA 2004. The last of three exhibitions surveying the work of Australian artist Jacky Redgate. The ...