by Haynes , Rachael .
Unthinkable is a new installation that incorporates fabric works and a lecture performance video to pursue a subjective engagement with feminist histories.
by Coombs, Courtney.
The closing chapter of an extended body of work investigating gendered engagements with the [mostly male] modernist canon, _It’s Complicated_ utilises humour and explores the ...
by Booth, Anastasia.
Anastasia works across sculpture, moving image, photography and poetry. Her practice playfully interrogates the portrayal of women’s desire in cultural production and symbolic discourse, with ...
by
by Ross, Rebecca.
This exhibition draws on her time spent in Rome, Italy in 2012. A number of the works also finalise exercises that commenced during an artist ...
by Edmiston, Marnie.
Compulsion Loop featured new installation based works by artists Chris Bennie, Marnie Edmiston and Madeleine Stack, curated by Boxcopy’s 2014 curatorial intern Sarah Barron. The ...
by Stewart, Tyza.
A solo exhibition of recent works.
Chasing Infinite Junctures, Caitlin Franzmann presented an installation as an open site for affect, response and collaboration. The exhibition began with an architectural intervention, which ...
by Woodward, Tim.
Drawing attention to the performative, speculative and uncertain nature of creative practice, the exhibition _Concertistic Life_ presented a grouping of new and recent works by ...
by
by Ross, Rebecca.
For this exhibition, Ross employs PVC vinyl in a range of colours to create an installation that responds to the gallery space, allowing it to ...
by Stewart, Tyza.
Tyza’s practice is a continually evolving self-portrait formed through paintings, digital images and installations. The work deals with the production and perceptions of gendered identity ...
by Hine, Simone, Rae, Clare.
Stages was a collaborative exhibition by Melbourne-based artists, Clare Rae and Simone Hine. Both artists follow in the tradition of feminist art practices, using their ...
