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ACIAA exhibition

by Nangle, Essie.

Australian Commercial and Industrial Artists' Association

Robin Norling

by Norling, Robin.

Retrospective exhibition

Robin Norling – metamorphosis

by Norling, Robin.

Retrospective exhibition

Container

by Hall, Fiona, Luke, Michelle, Murray, Kerin, Petrusevics, Andrew, Robertson, Jenni, Steffensen, Jyanni, Stevens, Jannette, Weiss, Curtis.

Site specific installations- each artist using the interior space of equal-size cubes EAF Annual Report 1989

Machinehead

by Andrae, Craige, Colangelo, Antonio, Morrell, Timothy, Noakes, Roger, Petrusevics, Andrew. Zafari Art.

Exhibition about social machinery with regard to the notion that Adelaide, a quiet cultivated city with a history of enlightened government, produces a significant amount ...

Money is no Object

by Grace, Helen.

The creation of wealth has become the supreme virtue of our times, justifying the illusion the we all gain equally form its production. The space ...

Tamworth

by Ahern, Judith.

Photographs: Tamworth Country Music Festival 1984-1987 EAF Annual Report 1989

Your Vision of this Landscape is Irrelevant to its Future

by McKinnon, Malcolm.

Paintings, photographs and text about violence and landscape from the mound springs region of South Australia EAF Annual Report

Surrogates

by O'Halloran, David.

An installation of seductive, stark, graphic paintings intended as signs or 'surrogates' that deputise for works of art. The paintings are details of a larger ...

Ether

by Breuer, Peter, Merritt, Darrell, Samson, Peter, Tooey, Eryn.

A major production bringing together new musical direction, movement and writings with a dramatic visual scope. EAF Annual Report 1989

No Immediate Threat & Class Work

by Beveridge, Karl, Conde, Carol.

Photo-documentation and graphic work based on interviews with nuclear power workers EAF Annual Report 1989

Objects of Devotion

by Bolton, Ken, Grayson, Richard, Hewson, Paul, Iacobelli, Aldo, Murray, Kerin, Walker, Linda Marie.

An exhibition of media while also commenting on media. The artists were asked to consider photography from a number of positions that sought to analyse ...