by Pound, Patrick.
Patrick Pound's work used reproductions of ships, work sent through the post and altered images, to construct a mediation on the ideas and poetics of ...
by Grayson, Richard, O'Halloran, David.
The sound of the Box Being Made represented an extension of David O' Halloran's investigation into the idea, and the framing devices, of the museum/gallery. ...
by Grayson, Richard, Vu, Trinh.
Trin Vu used computers to make paintings. The work was generated on screen and then printed out, at some considerable size, onto a variety of ...
by Barrett, Di, Grayson, Richard, Harris, Pam.
This exhibition was part of a dual project - the Adelaide Festival Centre's Artspace exhibited a retrospective of the prints of Pam Harris, whilst the ...
by Grayson, Richard, Savvas, Nike.
A row of light boxes bearing no image other than layer of blue gel, with the exception of one that bore the X-ray of a ...
by Cullen, Adam, Grayson, Richard.
This work was an array of empty beer bottles on a sheet of MDFG board, a half burnt wax candle head on an empty stereo ...
by Grayson, Richard, de Clario, Domenico.
This spooky piece looked at death as part of a continual cycle rather than as an epistemological (dead) end and referenced both the death of ...
by Grayson, Richard, To, Hiram.
French photographs from the last century of a matelot were featured in conjunction with a drum kit which had the skins replaced with photographic images ...
by Grayson, Richard, Iwanczak, Bronia.
A video installation consisting of a single monitor mounted at the end of a vast grey box that extended across the space - nearly invisible, ...
by Grayson, Richard, Lee, Lindy.
This installation utilised tachite ink stains, a repeated Chinese ideogram meaning dream/impermanence, and the artist's dark painted and photocopied canvases incorporating details from 'old masters' ...
by Duncan, Colin, Grayson, Richard.
Cardboard boxes were building blocks for a ruin (or a cave or a deserted tomb) and hollowed shells, constructing a melancholy metaphor of previous use, ...
by Grayson, Richard, Ulbrick, Chris.
A computer randomly plotting all the three dimensional co-ordinates within the space of the gallery, displayed by means of three digital print outs arranged in ...
by Grayson, Richard, Watkins, Charles.
Charcoal wall drawings of gardens and slide projections of flowers in a mediation of the current taxonomical systems and in consideration of the symbolic meaning ...
by Grayson, Richard, Rizkalla, Alex.
The starting point was a reflection by Wittgenstein on how words might be placed or generated, whether they are held in place through images. Source: ...
by Grayson, Richard, Young, Lisa E.
Consisted of furniture and domestic interiors constructed by the artist referencing ideas of sixties and seventies opulence best exemplified in the interiors of Graceland. Speask ...
by Barbour, John, Grayson, Richard.
The painted sheets of hardboard propped by means of sticks across the gallery floor were stripped of their function and readings, and shift into another ...
by Barrett, Di, Grayson, Richard.
A series of works, made via computer technology and colour photocopying, using images drawn from adverts offering fetishistic clothing and accessories, and images of the ...
by Graham, Anne, Grayson, Richard.
The installations central concerns were those of the institution, work, and women. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual ...
by Gill, Simryn, Grayson, Richard, MacPherson, Robert.
Two artists were invited to make work for the South Australian Museum and were given access to collections of the Museum. Works that looked at, ...
by Grayson, Richard, Popperwell, George.
This was a major work by South Australian based artist George Popperwell. One half of the gallery on entrance was empty, its boundary marked by ...
