by Bezor, Annette.
Autobiographical in a sublime manner in which artist continually reflects on the exposeire in the subjects of her paintings. The diptych serves as vehicle for ...
by Zahalka, Anne.
The artist/photographer as creator and documenter is both explored and teased out which reflects on notions of witness, truth and authenticity. Source: Solo Survey Exhibition ...
Photographs move away from the conventions of landscape photography artist acts to disengage the viewer from a objective perspective. Source: Solo Survey Exhibition Linkage Project, ...
by North, Ian.
Visual rhymes and puns this series of paintings fictionalises events within the images and fabricates connections between them. Source: Solo Survey Exhibition Linkage Project, Tasmanian ...
by Lee, Lindy.
Heavy layers of black (on canvas or carbon deposit from repeated photocopy scans on paper) vague reds and blues give way to sublime abstraction. Source: ...
by Ciccarone, Julia, Wallace, Anne.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS State Library of QLD catalogue Exhibition Catalogue: In absentia / Julia Ciccarone & Anne ...
by Watson, Jenny.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS State Library of QLD catalogue Exhibition Catalogue: Jenny Watson: the woman, the bottle, the ...
by Weary, Geoffrey.
Japanese imagery is used to illustrate and interrogate the oriental gaze, time lapsed video projection and a series of black and white images were low ...
by Weaver, Alison.
Selective embodied choices and finite gestures mock the so called arrogance of the decadent and a reflection upon the 'ritual sacrafice of energy' expended in ...
by West, Margaret.
Canberra School of Art exhibition. Pendants of stone, slate and stainless steel, and jewel boxes of iron, lead and wood, are representative of Margaret West's ...
by Whiteley, Brett.
Held at the Brett Whiteley Studio. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS AGNSW Library catalogue Exhibition Catalogue: A different vision: ...
Cut crystal [chandeliers, mirrors, etched glass] [re]appears in the work as metaphor and reflection. An interrogation into the separation of absence and presence, subject and ...
by Frank, Dale.
Large globs of aluminium paint resin and glossy varnish a playful and ironical parody of gestural painting resembling Pop artists and the strategy of appropriation ...
Resisting representation the installation challenged the viewer, giving minimal clues to the meanings the works including a lack of pre-emptive titles. Source: Solo Survey Exhibition ...
by Hewson, Paul, Walker, Linda Marie.
An installation with video images projected onto opposite ends of the room. The videos are accompanied by multiple soundtracks. Source: Solo Survey Exhibition Linkage Project, ...
by Abdulla, Ian, Giles, Kerry, Kean, John, Koolmatrie, Yvonne.
Woven rush baskets on simulated green riverbeds, vessel structures, sculptural forms and their implied history. Pointing to the early colonial engravings which represent aboriginal women ...
by Buckley, Brad.
Decor of architectural surfaces that interlace by which the knot, is particular to this installation. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...
by Bennett, Gordon.
Paintings are presented as historical ethnographies of colonial domination, a deconstruction of the so-called 'historical' representation of Aborigines. through a recontextualisation of a known Australian ...
by Andrae, Craige.
Contents are unpacked from vernacular objects, such as a bowling ball bag where the ball and cloth have been taken out and placed on the ...
by Gill, Simryn, Hall, Fiona.
A knitted a matinee jacket, a bonnet and bootees, and made a rattle/teething ring from thin metal strips cut from Coke cans. The six pack ...
