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The Landing at Anzac - Gallipoli

by

The Landing at Botany Bay 1788

by Minns, B.E..

The Landing of Captain Cook at Botany Bay

by Macleod, William.

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by White, Anthony.

Motivated by revisionist histories currently at play in the global media, I made this painting to re-examine a dark period of Australia’s history, the so ...

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by White, Anthony.

Motivated by revisionist histories currently at play in the global media, I made this painting to re-examine a dark period of Australia’s history, the so ...

The Lap of Water

by Curtis, Sybil.

The Lark and Her Young

by Dexter, William B..

The Last Day, Epsom

by Coventry, Frederick Halford.

Exhibited at Centennial Exhibition of International and New Zealand Art, Wellington, 1939 (cat. 354).

The Last Effort

by Gritten, Henry.

The Last Furrow

by Garlick, Henry Glede.

The Last Gleam

by Andrews, William.

The Last Gleam

by Lister, William Lister.

Winner of the Wynne Prize, 1898

The Last Muster of the Tasmanian Aborigines at Risdon

by Glover, John.

The Last Sins of St Francis: Scarring the Flesh - Episode 5

by Marti, Dani.

detail; 2 m x 1.4 m x 16 cm approximately overall.

nylon, polypropylene, polyester, rubber and barbed wire on wood

The Last Supper

by McKinnon, Brian Charles.