by Weaver, Alison.
Selective embodied choices and finite gestures mock the so called arrogance of the decadent and a reflection upon the 'ritual sacrafice of energy' expended in ...
by West, Margaret.
Canberra School of Art exhibition. Pendants of stone, slate and stainless steel, and jewel boxes of iron, lead and wood, are representative of Margaret West's ...
by Whiteley, Brett.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS AGNSW Library catalogue Exhibition Catalogue: Another way of looking at Vincent van Gogh, 1888-1889: ...
by Whiteley, Brett.
Held at the Brett Whiteley Studio. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS AGNSW Library catalogue Exhibition Catalogue: A different vision: ...
Cut crystal [chandeliers, mirrors, etched glass] [re]appears in the work as metaphor and reflection. An interrogation into the separation of absence and presence, subject and ...
by Frank, Dale.
Large globs of aluminium paint resin and glossy varnish a playful and ironical parody of gestural painting resembling Pop artists and the strategy of appropriation ...
Resisting representation the installation challenged the viewer, giving minimal clues to the meanings the works including a lack of pre-emptive titles. Source: Solo Survey Exhibition ...
by Hewson, Paul, Walker, Linda Marie.
An installation with video images projected onto opposite ends of the room. The videos are accompanied by multiple soundtracks. Source: Solo Survey Exhibition Linkage Project, ...
by Abdulla, Ian, Giles, Kerry, Kean, John, Koolmatrie, Yvonne.
Woven rush baskets on simulated green riverbeds, vessel structures, sculptural forms and their implied history. Pointing to the early colonial engravings which represent aboriginal women ...
by Buckley, Brad.
Decor of architectural surfaces that interlace by which the knot, is particular to this installation. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...
by Bennett, Gordon.
Paintings are presented as historical ethnographies of colonial domination, a deconstruction of the so-called 'historical' representation of Aborigines. through a recontextualisation of a known Australian ...
by Andrae, Craige.
Contents are unpacked from vernacular objects, such as a bowling ball bag where the ball and cloth have been taken out and placed on the ...
by Gill, Simryn, Hall, Fiona.
A knitted a matinee jacket, a bonnet and bootees, and made a rattle/teething ring from thin metal strips cut from Coke cans. The six pack ...
by Iwanczak, Bronia.
Explored the relationship between machines and humans, and the nebulous distinction between the living and the dead. Source: Solo Survey Exhibition Linkage Project, Tasmanian School ...
by Hart, Anton.
The exhibition is a personal journey into the mind of the neo-romantic, as the artist lays bare his soul. Broader concerns are with the notions ...
by Adil, Mehmet.
Elements of everyday materials: Room 1: 2,000 unspent matches piled on the floor, a violin bow tunnels through the top of the pile, 6 tall ...
by Watson, Jenny.
Tour managed by the Australian Exhibitions Touring Agency on behalf of the Australia Council. Work from the 45th Venice Biennale 1993. Watson works with a ...
by Wicks, Arthur.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS AGNSW archive index cards; AGNSW Library catalogue Exhibition Catalogue: Arthur Wicks, works 1989-1992. Wagga ...
by Streeton, Arthur, Williams, Fred.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS AGNSW Library catalogue Exhibition Catalogue: Heroic landscape: Williams [and] Streeton. [Melbourne: National Gallery of ...
by Williams, Fred.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS State Library of QLD catalogue Exhibition Catalogue: Fred Williams: recent paintings: a current working ...
