by Grayson, Richard, Renzi, Filomena.
The artist used easily available technologies to construct simple robotic systems that both echoed the natural world in their movements and remained true to their ...
by Grayson, Richard, Todd, Kevin.
Kevin Todd produced large pixillated images of the body and its interiors using medical scanning technology. The works were about mapping and investigation and the ...
by Pound, Patrick.
Patrick Pound's work used reproductions of ships, work sent through the post and altered images, to construct a mediation on the ideas and poetics of ...
by Grayson, Richard, Vu, Trinh.
Trin Vu used computers to make paintings. The work was generated on screen and then printed out, at some considerable size, onto a variety of ...
by Grayson, Richard, Savvas, Nike.
A row of light boxes bearing no image other than layer of blue gel, with the exception of one that bore the X-ray of a ...
by Cullen, Adam, Grayson, Richard.
This work was an array of empty beer bottles on a sheet of MDFG board, a half burnt wax candle head on an empty stereo ...
by Grayson, Richard, To, Hiram.
French photographs from the last century of a matelot were featured in conjunction with a drum kit which had the skins replaced with photographic images ...
by Grayson, Richard, Lee, Lindy.
This installation utilised tachite ink stains, a repeated Chinese ideogram meaning dream/impermanence, and the artist's dark painted and photocopied canvases incorporating details from 'old masters' ...
by Duncan, Colin, Grayson, Richard.
Cardboard boxes were building blocks for a ruin (or a cave or a deserted tomb) and hollowed shells, constructing a melancholy metaphor of previous use, ...
by Grayson, Richard, Rizkalla, Alex.
The starting point was a reflection by Wittgenstein on how words might be placed or generated, whether they are held in place through images. Source: ...
by Grayson, Richard, Young, Lisa E.
Consisted of furniture and domestic interiors constructed by the artist referencing ideas of sixties and seventies opulence best exemplified in the interiors of Graceland. Speask ...
by Graham, Anne, Grayson, Richard.
The installations central concerns were those of the institution, work, and women. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual ...
by Grayson, Richard, Kirby, Shaun.
Conceptual work. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual report
by Grayson, Richard, Pedley, Sue.
The space was occupied over the ten days by artist spent in the gallery constructing the work. Source: Solo Survey Exhibition Linkage Project, Tasmanian School ...
by Grayson, Richard, Sproul, Linda.
Premiere of a new work which consisted of a series of large photographs of the artist, sometimes echoing an academic anthropological photography (in profile, holding ...
by Grayson, Richard, Harris, Joanne.
Gas presented works of hesitated meanings, elided links, where implication and the nearly voiced were generated by and between the component elements. Source: Solo Survey ...
by Fuller, Helen, Grayson, Richard.
An auto-biographical/biographical element, with artist continuing her series of works based on her late father's collections, the lists, strategies and objects used and listed as ...
by Grayson, Richard, Hastings, Gail.
The work flickers between the now, enlightenment and pre-enlightenment in its uses and articulations of space and memory. Source: Solo Survey Exhibition Linkage Project, Tasmanian ...
by Grayson, Richard, Hart, Anton.
The exhibition referenced ideas of minimalism and colour field practice, however confusing and problematising these through their combination with other references to historical practices, and ...
by Carchesio, Eugene, Grayson, Richard.
Eugene Carchesio's exhibition was marked by a certain quiet optimism... restrained but most definitely there. The exhibition consisted of watercolours variously positioned in the space ...
