by Bary, Lyell, Grayson, Richard.
Bary's paintings used shapes and texts that follow paths determined by the grain of the plywood that he works on. Source: Solo Survey Exhibition Linkage ...
by Grayson, Richard, Ooms, Anne.
An installation that filled the gallery with several islands of furniture - an arm chair, a low table and a lamp - and on every ...
by Grayson, Richard, Whitehorn, Dean.
The visitor walked across the stones, traversing the water, thus becoming the sign within the representation for the electric signal which would traverse the biological/organic ...
by Grayson, Richard, Henderson, Julie.
Installation consisted of various forms of containment and closure which both closed off and delimited, but at the same time allowed leakages and partial escapes. ...
by Grayson, Richard, Petrusevics, Andrew.
Funded by Australia Council of the Arts. In the work of Andrew Petrusevics this went as far as echoing the design and graphics of constructivism ...
by Grayson, Richard, Reid, John.
Part of the Lawyers, guns & money project. John Reid has been working on a piece made up entirely of Australian banknotes since 1982. The ...
by Grayson, Richard, Wedge, Harry J.
Funded by Australia Council of the Arts. H.J. Wedge's work consists of figurative paintings, made using the dot style, which refer to incidents and events ...
by Grayson, Richard, Mannall, Sally.
Funded by Australia Council of the Arts. This work used the witness request boards found on the streets of London where Mannall had been recently ...
by Grayson, Richard, Redford, Scott.
Funded by Australia Council of the Arts. The artist's work references many different codings and languages: from those of advertising, fine art practice, popular culture ...
by Grayson, Richard, Piccinini, Patricia.
Funded by Australia Council of the Arts. Patricia Picinnini used nine monitors in a horse shoe shape, which carried the sound and image of a ...
by Grayson, Richard, Tan, Laurens.
Laurens Tan used a monitor as the central focus of a piece that was essentially a non-operational poker machine, borrowed the form of a futuristic ...
by Grayson, Richard, Stevenson, Michael.
Stevenson's work was built around electric buggies which had been accreted with texts and stickers referencing a multitude of concerns, from politics to 'if you ...
by Walsh, Craig.
A window work in the EAF Bookshop by Craig Walsh, a Queensland based artist, looking at ideas of promotion (through representation and window display), production ...
by Andrae, Craige, Grayson, Richard.
This show was part informed by a trip to Europe during which the artist viewed some of the productions of visual arts practice that were ...
by Grayson, Richard, Nelson, Jan.
Documentation was also an element in this work, part of which utilised a video projection of film footage shot in Paris by the artist, The ...
by Fabyc, Deej, Grayson, Richard.
A large two piece installation. The viewer entered first a kind of antechamber (Strawberry Girl) filled with arrangements, vanity-mirror-style, girlish objects, surrounded by pink & ...
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Ian Potter University of Melbourne exhibition archive;
by Elder, Leith, Grayson, Richard.
The exhibition conjured a strange kind of surreal space, where objects floated as if we were inside someone else's dream, the elements in the installation ...
by Minney, Sarah.
Installation was a recreation of the aural presence of a tennis match. A pair of 1960's Bang&Olufsen speakers so faithfully relayed the pops of volleys, ...
by Bradley, Matthew, Chapman, Chris.
Part of the Gold Card1 series of exhibitions. Three pristine elements that evoked a cool and futuristic ambience, 'The Nola Rose Candidate', suggested a future ...
