by Arjona, Hayley, Chapman, Chris.
Part of Gold Card1 series, the paintings, offered a take on subjectivity, and self-consciously iconic. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...
by Newall, Michael, Tarr, Stephen.
Part of Gold Card2 series, two 'minimal' paintings each a different tone of grey, subtly patterned with a grid or stripes, were placed facing each ...
by Newall, Michael, Wolff, Michael.
Part of the Gold Card2 series paintings on paper resonated, assembled from paper strips cut from paintings marked with the horizontal traces of Wolff's fingers ...
by Newall, Michael, Rowland, Sally-Ann.
Part of the Gold Card 2 series, a psychotic room was deceptively calm, as if in dream, you might walk across a blue-grey carpet and ...
by Salomone, Lee.
Presented during South Australian Living Artists Week 1999, year's worth of pages from Adelaide's daily newspaper The Advertiser, installed around the gallery walls as a ...
by Stephens, Mark.
Presented during South Australian Living Artists Week 1999 the exhibition reconfigured the gallery space so that his installation, illuminated by drenched red light, was a ...
by Angus, James.
By enacting a hypothetical scenario in virtual space, Angus came up with curious objects that represented a soccerball and basketball dropped from the cruising altitude ...
by Kirby, Shaun.
The ambience of his exhibition was due in part to his experience of two close but distinct cultures, one more structured and tolerantly repressive than ...
by Smart, Sally.
Immersive and ambitious, the exhibition was an opportunity to explore concepts of space and texture, installation was like a web or net thrown over the ...
by Hjorth, Larissa.
An olfactory installation immersed the viewer in pink mood lighting, the ambient soundscape of family leisure parks, and surreal floral and flickering pixellated imagery projected ...
by Keats, Jason.
The contents of the four white leather bound books resting on custom-made shelves and lit by spotlights in Jason Keats' exhibition could be accessed by ...
by Gallois, Mathieu.
The work was a life-sized 'film set' depicting a desert oasis (with plushy-decorated tent, palm trees and sand). The scene was placed on a large ...
by Porcaro, Sonja.
The gallery space was animated by the installation works of Katherine Huang and Sonja Porcaro throughout March and April. The EAF invited the artists to ...
by Huang, Katherine.
The gallery space was animated by the installation works of Katherine Huang and Sonja Porcaro. The EAF invited the artists to exhibit together because of ...
by Lewis, Ruark.
Exhibition of new works at the EAF offered a range of focussed pieces exploring, among other things, ruminations on friendship and ageing; and evocative spoken ...
by Ely, Bonita.
Multi-layered exploration of Australian history and mythology, brought together references to traumas suffered by Sir Douglas Mawson during his Antarctic expedition, and those of the ...
by Brook, Andrew.
An installation with sound, presenting three 'locales' within the gallery - a blue easy chair positioned in a spot of light (a Birdcage hanging near ...
by Haselton, Louise.
Funding by the Visual Arts craft Board of the Australia Council and Arts SA. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS ...
by Rosetzky, David.
A video work Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Newcastle Gallery exhibition archive; http://www.kalimangallery.com/web_pages/artists/rosetzky/BIO_rosetzky.htm (06/09/03)
by Boscacci, Louise.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Newcastle Gallery exhibition archive; http://www.rexirwin.com/art/boscacci/bio.htm (06/09/03)
