by Grayson, Richard, Norman, Ceallaigh.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Carn, Shane, Grayson, Richard.
Shane Carn was awarded a Samstag in 1993. This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, ...
by Adil, Mehmet, Grayson, Richard.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Grayson, Richard, Kastanos, Tony.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Barwick, Lynne, Grayson, Richard.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Grayson, Richard, Hockley, Simone.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Grayson, Richard, Petrusevics, Andrew.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Dady, Johnnie, Grayson, Richard.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Grayson, Richard, Kreckler, Derek.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual report
by Parr, Mike.
On entering the gallery, this piece consisted of a white wall which contained a black rectangle at its centre this seemed to be two dimensional, ...
by Grayson, Richard, Parr, Mike.
A video, in which the artist held a series of self-portraits onto his face purely through inhaling hard against the paper, leading him to hyperventilate, ...
by Grayson, Richard, Renzi, Filomena.
The artist used easily available technologies to construct simple robotic systems that both echoed the natural world in their movements and remained true to their ...
by Grayson, Richard, Todd, Kevin.
Kevin Todd produced large pixillated images of the body and its interiors using medical scanning technology. The works were about mapping and investigation and the ...
by Bandt, Ros, Britton, Helen, Farman, Nola, Gibbs, Anna, Grayson, Richard.
Carsick was an interactive installation using sound and video which looked at what happens when our expectations of technology literally break down, elements were triggered ...
by Pound, Patrick.
Patrick Pound's work used reproductions of ships, work sent through the post and altered images, to construct a mediation on the ideas and poetics of ...
by Grayson, Richard, O'Halloran, David.
The sound of the Box Being Made represented an extension of David O' Halloran's investigation into the idea, and the framing devices, of the museum/gallery. ...
by Grayson, Richard, Vu, Trinh.
Trin Vu used computers to make paintings. The work was generated on screen and then printed out, at some considerable size, onto a variety of ...
by Barrett, Di, Grayson, Richard, Harris, Pam.
This exhibition was part of a dual project - the Adelaide Festival Centre's Artspace exhibited a retrospective of the prints of Pam Harris, whilst the ...
by Grayson, Richard, Savvas, Nike.
A row of light boxes bearing no image other than layer of blue gel, with the exception of one that bore the X-ray of a ...
by Cullen, Adam, Grayson, Richard.
This work was an array of empty beer bottles on a sheet of MDFG board, a half burnt wax candle head on an empty stereo ...
