by Barwick, Lynne, Grayson, Richard.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Grayson, Richard, Hockley, Simone.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Grayson, Richard, Petrusevics, Andrew.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Dady, Johnnie, Grayson, Richard.
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners ...
by Grayson, Richard, Kreckler, Derek.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual report
by Parr, Mike.
On entering the gallery, this piece consisted of a white wall which contained a black rectangle at its centre this seemed to be two dimensional, ...
by Grayson, Richard, Parr, Mike.
A video, in which the artist held a series of self-portraits onto his face purely through inhaling hard against the paper, leading him to hyperventilate, ...
by Grayson, Richard, Renzi, Filomena.
The artist used easily available technologies to construct simple robotic systems that both echoed the natural world in their movements and remained true to their ...
by Grayson, Richard, Todd, Kevin.
Kevin Todd produced large pixillated images of the body and its interiors using medical scanning technology. The works were about mapping and investigation and the ...
by Pound, Patrick.
Patrick Pound's work used reproductions of ships, work sent through the post and altered images, to construct a mediation on the ideas and poetics of ...
by Grayson, Richard, O'Halloran, David.
The sound of the Box Being Made represented an extension of David O' Halloran's investigation into the idea, and the framing devices, of the museum/gallery. ...
by Grayson, Richard, Vu, Trinh.
Trin Vu used computers to make paintings. The work was generated on screen and then printed out, at some considerable size, onto a variety of ...
by Grayson, Richard, Savvas, Nike.
A row of light boxes bearing no image other than layer of blue gel, with the exception of one that bore the X-ray of a ...
by Cullen, Adam, Grayson, Richard.
This work was an array of empty beer bottles on a sheet of MDFG board, a half burnt wax candle head on an empty stereo ...
by Grayson, Richard, de Clario, Domenico.
This spooky piece looked at death as part of a continual cycle rather than as an epistemological (dead) end and referenced both the death of ...
by Grayson, Richard, To, Hiram.
French photographs from the last century of a matelot were featured in conjunction with a drum kit which had the skins replaced with photographic images ...
by Grayson, Richard, Lee, Lindy.
This installation utilised tachite ink stains, a repeated Chinese ideogram meaning dream/impermanence, and the artist's dark painted and photocopied canvases incorporating details from 'old masters' ...
by Duncan, Colin, Grayson, Richard.
Cardboard boxes were building blocks for a ruin (or a cave or a deserted tomb) and hollowed shells, constructing a melancholy metaphor of previous use, ...
by Grayson, Richard, Rizkalla, Alex.
The starting point was a reflection by Wittgenstein on how words might be placed or generated, whether they are held in place through images. Source: ...
by Grayson, Richard, Young, Lisa E.
Consisted of furniture and domestic interiors constructed by the artist referencing ideas of sixties and seventies opulence best exemplified in the interiors of Graceland. Speask ...
