by Grayson, Richard, de Clario, Domenico.
This spooky piece looked at death as part of a continual cycle rather than as an epistemological (dead) end and referenced both the death of ...
by Grayson, Richard, To, Hiram.
French photographs from the last century of a matelot were featured in conjunction with a drum kit which had the skins replaced with photographic images ...
by Grayson, Richard, Iwanczak, Bronia.
A video installation consisting of a single monitor mounted at the end of a vast grey box that extended across the space - nearly invisible, ...
by Grayson, Richard, Lee, Lindy.
This installation utilised tachite ink stains, a repeated Chinese ideogram meaning dream/impermanence, and the artist's dark painted and photocopied canvases incorporating details from 'old masters' ...
by Duncan, Colin, Grayson, Richard.
Cardboard boxes were building blocks for a ruin (or a cave or a deserted tomb) and hollowed shells, constructing a melancholy metaphor of previous use, ...
by Grayson, Richard, Ulbrick, Chris.
A computer randomly plotting all the three dimensional co-ordinates within the space of the gallery, displayed by means of three digital print outs arranged in ...
by Grayson, Richard, Watkins, Charles.
Charcoal wall drawings of gardens and slide projections of flowers in a mediation of the current taxonomical systems and in consideration of the symbolic meaning ...
by Grayson, Richard, Rizkalla, Alex.
The starting point was a reflection by Wittgenstein on how words might be placed or generated, whether they are held in place through images. Source: ...
by Grayson, Richard, Young, Lisa E.
Consisted of furniture and domestic interiors constructed by the artist referencing ideas of sixties and seventies opulence best exemplified in the interiors of Graceland. Speask ...
by Barbour, John, Grayson, Richard.
The painted sheets of hardboard propped by means of sticks across the gallery floor were stripped of their function and readings, and shift into another ...
by Barrett, Di, Grayson, Richard.
A series of works, made via computer technology and colour photocopying, using images drawn from adverts offering fetishistic clothing and accessories, and images of the ...
by Graham, Anne, Grayson, Richard.
The installations central concerns were those of the institution, work, and women. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual ...
by Gill, Simryn, Grayson, Richard, MacPherson, Robert.
Two artists were invited to make work for the South Australian Museum and were given access to collections of the Museum. Works that looked at, ...
by Grayson, Richard, Popperwell, George.
This was a major work by South Australian based artist George Popperwell. One half of the gallery on entrance was empty, its boundary marked by ...
by Grayson, Richard, Kirby, Shaun.
Conceptual work. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual report
by Grayson, Richard, Pedley, Sue.
The space was occupied over the ten days by artist spent in the gallery constructing the work. Source: Solo Survey Exhibition Linkage Project, Tasmanian School ...
by Grayson, Richard, Sproul, Linda.
Premiere of a new work which consisted of a series of large photographs of the artist, sometimes echoing an academic anthropological photography (in profile, holding ...
by Grayson, Richard, Harris, Joanne.
Gas presented works of hesitated meanings, elided links, where implication and the nearly voiced were generated by and between the component elements. Source: Solo Survey ...
by Fuller, Helen, Grayson, Richard.
An auto-biographical/biographical element, with artist continuing her series of works based on her late father's collections, the lists, strategies and objects used and listed as ...
by Grayson, Richard, Hastings, Gail.
The work flickers between the now, enlightenment and pre-enlightenment in its uses and articulations of space and memory. Source: Solo Survey Exhibition Linkage Project, Tasmanian ...
