by Graham, Anne, Grayson, Richard.
The installations central concerns were those of the institution, work, and women. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual ...
by Grayson, Richard, Popperwell, George.
This was a major work by South Australian based artist George Popperwell. One half of the gallery on entrance was empty, its boundary marked by ...
by Grayson, Richard, Kirby, Shaun.
Conceptual work. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS EAF annual report
by Grayson, Richard, Pedley, Sue.
The space was occupied over the ten days by artist spent in the gallery constructing the work. Source: Solo Survey Exhibition Linkage Project, Tasmanian School ...
by Grayson, Richard, Sproul, Linda.
Premiere of a new work which consisted of a series of large photographs of the artist, sometimes echoing an academic anthropological photography (in profile, holding ...
by Grayson, Richard, Harris, Joanne.
Gas presented works of hesitated meanings, elided links, where implication and the nearly voiced were generated by and between the component elements. Source: Solo Survey ...
by Fuller, Helen, Grayson, Richard.
An auto-biographical/biographical element, with artist continuing her series of works based on her late father's collections, the lists, strategies and objects used and listed as ...
by Grayson, Richard, Hastings, Gail.
The work flickers between the now, enlightenment and pre-enlightenment in its uses and articulations of space and memory. Source: Solo Survey Exhibition Linkage Project, Tasmanian ...
by Grayson, Richard, Hart, Anton.
The exhibition referenced ideas of minimalism and colour field practice, however confusing and problematising these through their combination with other references to historical practices, and ...
by Carchesio, Eugene, Grayson, Richard.
Eugene Carchesio's exhibition was marked by a certain quiet optimism... restrained but most definitely there. The exhibition consisted of watercolours variously positioned in the space ...
by Bary, Lyell, Grayson, Richard.
Bary's paintings used shapes and texts that follow paths determined by the grain of the plywood that he works on. Source: Solo Survey Exhibition Linkage ...
by Grayson, Richard, Ooms, Anne.
An installation that filled the gallery with several islands of furniture - an arm chair, a low table and a lamp - and on every ...
by Grayson, Richard, Whitehorn, Dean.
The visitor walked across the stones, traversing the water, thus becoming the sign within the representation for the electric signal which would traverse the biological/organic ...
by Grayson, Richard, Henderson, Julie.
Installation consisted of various forms of containment and closure which both closed off and delimited, but at the same time allowed leakages and partial escapes. ...
by Grayson, Richard, Vance, Warren.
The space was divided into two parts, the first area contained not only the artists more 'usual' work, found objects, images and material are combined ...
by Grayson, Richard, Petrusevics, Andrew.
Funded by Australia Council of the Arts. In the work of Andrew Petrusevics this went as far as echoing the design and graphics of constructivism ...
by Grayson, Richard, Reid, John.
Part of the Lawyers, guns & money project. John Reid has been working on a piece made up entirely of Australian banknotes since 1982. The ...
by Grayson, Richard, Wedge, Harry J.
Funded by Australia Council of the Arts. H.J. Wedge's work consists of figurative paintings, made using the dot style, which refer to incidents and events ...
by Grayson, Richard, Mannall, Sally.
Funded by Australia Council of the Arts. This work used the witness request boards found on the streets of London where Mannall had been recently ...
by Grayson, Richard, Redford, Scott.
Funded by Australia Council of the Arts. The artist's work references many different codings and languages: from those of advertising, fine art practice, popular culture ...
