by Grayson, Richard, Hart, Anton.
The exhibition referenced ideas of minimalism and colour field practice, however confusing and problematising these through their combination with other references to historical practices, and ...
by Carchesio, Eugene, Grayson, Richard.
Eugene Carchesio's exhibition was marked by a certain quiet optimism... restrained but most definitely there. The exhibition consisted of watercolours variously positioned in the space ...
by Bary, Lyell, Grayson, Richard.
Bary's paintings used shapes and texts that follow paths determined by the grain of the plywood that he works on. Source: Solo Survey Exhibition Linkage ...
by Grayson, Richard, Norrie, Susan.
The exhibition was an extension of a project the artist has been working on over the last few years: a project that interrogates the positions ...
by Grayson, Richard, Ooms, Anne.
An installation that filled the gallery with several islands of furniture - an arm chair, a low table and a lamp - and on every ...
by Grayson, Richard, Whitehorn, Dean.
The visitor walked across the stones, traversing the water, thus becoming the sign within the representation for the electric signal which would traverse the biological/organic ...
by Grayson, Richard, Henderson, Julie.
Installation consisted of various forms of containment and closure which both closed off and delimited, but at the same time allowed leakages and partial escapes. ...
by Grayson, Richard, Vance, Warren.
The space was divided into two parts, the first area contained not only the artists more 'usual' work, found objects, images and material are combined ...
by Grayson, Richard, Petrusevics, Andrew.
Funded by Australia Council of the Arts. In the work of Andrew Petrusevics this went as far as echoing the design and graphics of constructivism ...
by Grayson, Richard, Reid, John.
Part of the Lawyers, guns & money project. John Reid has been working on a piece made up entirely of Australian banknotes since 1982. The ...
by Grayson, Richard, Wedge, Harry J.
Funded by Australia Council of the Arts. H.J. Wedge's work consists of figurative paintings, made using the dot style, which refer to incidents and events ...
by Grayson, Richard, Mannall, Sally.
Funded by Australia Council of the Arts. This work used the witness request boards found on the streets of London where Mannall had been recently ...
by Grayson, Richard, Redford, Scott.
Funded by Australia Council of the Arts. The artist's work references many different codings and languages: from those of advertising, fine art practice, popular culture ...
by Grayson, Richard, Piccinini, Patricia.
Funded by Australia Council of the Arts. Patricia Picinnini used nine monitors in a horse shoe shape, which carried the sound and image of a ...
by Grayson, Richard, Tan, Laurens.
Laurens Tan used a monitor as the central focus of a piece that was essentially a non-operational poker machine, borrowed the form of a futuristic ...
by Grayson, Richard, Stevenson, Michael.
Stevenson's work was built around electric buggies which had been accreted with texts and stickers referencing a multitude of concerns, from politics to 'if you ...
by Walsh, Craig.
A window work in the EAF Bookshop by Craig Walsh, a Queensland based artist, looking at ideas of promotion (through representation and window display), production ...
by Andrae, Craige, Grayson, Richard.
This show was part informed by a trip to Europe during which the artist viewed some of the productions of visual arts practice that were ...
by Cruickshank, Alan, Grayson, Richard.
The exhibition was a continuation of a project that Cruickshank has been engaged in from the 'Arcanum Museum'. Previously the work focused on photographs from ...
by Grayson, Richard, Nelson, Jan.
Documentation was also an element in this work, part of which utilised a video projection of film footage shot in Paris by the artist, The ...
