by Grayson, Richard, Martin, Rick.
The 'Maria' was a ship wrecked on the south Australian coast in 1840, amongst the eerie landscapes that surround the mouth of the Murray and ...
by Fabyc, Deej, Grayson, Richard.
A large two piece installation. The viewer entered first a kind of antechamber (Strawberry Girl) filled with arrangements, vanity-mirror-style, girlish objects, surrounded by pink & ...
by Grayson, Richard, Sanderson, Lynne.
Sound by Peter Sansom. 'Mutant!' posited powerfully two sets of imagery, each with its own distinctly yet related connotations & associations. On the walls two ...
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Ian Potter University of Melbourne exhibition archive;
by Elder, Leith, Grayson, Richard.
The exhibition conjured a strange kind of surreal space, where objects floated as if we were inside someone else's dream, the elements in the installation ...
by Fuller, Helen, North, Ian.
A collaborative installation cluster set up various vectors throughout the gallery, north invoked the spectre of 1930's fascism in relation to sport, a quest for ...
by Minney, Sarah.
Installation was a recreation of the aural presence of a tennis match. A pair of 1960's Bang&Olufsen speakers so faithfully relayed the pops of volleys, ...
by Bradley, Matthew, Chapman, Chris.
Part of the Gold Card1 series of exhibitions. Three pristine elements that evoked a cool and futuristic ambience, 'The Nola Rose Candidate', suggested a future ...
by Arjona, Hayley, Chapman, Chris.
Part of Gold Card1 series, the paintings, offered a take on subjectivity, and self-consciously iconic. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...
by Newall, Michael, Tarr, Stephen.
Part of Gold Card2 series, two 'minimal' paintings each a different tone of grey, subtly patterned with a grid or stripes, were placed facing each ...
by Newall, Michael, Wolff, Michael.
Part of the Gold Card2 series paintings on paper resonated, assembled from paper strips cut from paintings marked with the horizontal traces of Wolff's fingers ...
by Newall, Michael, Rowland, Sally-Ann.
Part of the Gold Card 2 series, a psychotic room was deceptively calm, as if in dream, you might walk across a blue-grey carpet and ...
by Cmielewski, Leon, Newall, Michael, Starrs, Josephine, Starrs, Josephine.
A series of lightboxes with illuminated layered imagery and icons of a strange digital world linked two modules: the 'FuzzyLove Dating Database', a friendly white ...
by Conomos, John.
An installation dealing with the movement between cultures (the Greek island of Cythera and Australia), islands, and imaginary spaces, the video presented a slowly drifting ...
by Cullen, Adam.
A group of new paintings that presented a particularly idiosyncratic view of contemporary Australian life filtered through the inner-suburban environment, painted on large sheets of ...
by Salomone, Lee.
Presented during South Australian Living Artists Week 1999, year's worth of pages from Adelaide's daily newspaper The Advertiser, installed around the gallery walls as a ...
by Stephens, Mark.
Presented during South Australian Living Artists Week 1999 the exhibition reconfigured the gallery space so that his installation, illuminated by drenched red light, was a ...
by Danko, Aleks.
Aleks Danko epic performance was presented in the EAF gallery on 20 May. Rows of arm-banded and blindfolded conscripts chanted 'Australian' mantras ("Rub some of ...
by Gill, Simryn.
Simryn Gill's first three photoseries, invoking humankind's close relationship to the plant world. In 'Vegetation' the artist took the guise of a variety of plant ...
by Angus, James.
By enacting a hypothetical scenario in virtual space, Angus came up with curious objects that represented a soccerball and basketball dropped from the cruising altitude ...
