by North, Ian.
Visual rhymes and puns this series of paintings fictionalises events within the images and fabricates connections between them. Source: Solo Survey Exhibition Linkage Project, Tasmanian ...
by Lee, Lindy.
Heavy layers of black (on canvas or carbon deposit from repeated photocopy scans on paper) vague reds and blues give way to sublime abstraction. Source: ...
by Weaver, Alison.
Selective embodied choices and finite gestures mock the so called arrogance of the decadent and a reflection upon the 'ritual sacrafice of energy' expended in ...
Cut crystal [chandeliers, mirrors, etched glass] [re]appears in the work as metaphor and reflection. An interrogation into the separation of absence and presence, subject and ...
by Frank, Dale.
Large globs of aluminium paint resin and glossy varnish a playful and ironical parody of gestural painting resembling Pop artists and the strategy of appropriation ...
Resisting representation the installation challenged the viewer, giving minimal clues to the meanings the works including a lack of pre-emptive titles. Source: Solo Survey Exhibition ...
by Hewson, Paul, Walker, Linda Marie.
An installation with video images projected onto opposite ends of the room. The videos are accompanied by multiple soundtracks. Source: Solo Survey Exhibition Linkage Project, ...
by Abdulla, Ian, Giles, Kerry, Kean, John, Koolmatrie, Yvonne.
Woven rush baskets on simulated green riverbeds, vessel structures, sculptural forms and their implied history. Pointing to the early colonial engravings which represent aboriginal women ...
by Buckley, Brad.
Decor of architectural surfaces that interlace by which the knot, is particular to this installation. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...
by Bennett, Gordon.
Paintings are presented as historical ethnographies of colonial domination, a deconstruction of the so-called 'historical' representation of Aborigines. through a recontextualisation of a known Australian ...
by Andrae, Craige.
Contents are unpacked from vernacular objects, such as a bowling ball bag where the ball and cloth have been taken out and placed on the ...
by Gill, Simryn, Hall, Fiona.
A knitted a matinee jacket, a bonnet and bootees, and made a rattle/teething ring from thin metal strips cut from Coke cans. The six pack ...
by Iwanczak, Bronia.
Explored the relationship between machines and humans, and the nebulous distinction between the living and the dead. Source: Solo Survey Exhibition Linkage Project, Tasmanian School ...
by Hart, Anton.
The exhibition is a personal journey into the mind of the neo-romantic, as the artist lays bare his soul. Broader concerns are with the notions ...
by Adil, Mehmet.
Elements of everyday materials: Room 1: 2,000 unspent matches piled on the floor, a violin bow tunnels through the top of the pile, 6 tall ...
by Watson, Jenny.
Tour managed by the Australian Exhibitions Touring Agency on behalf of the Australia Council. Work from the 45th Venice Biennale 1993. Watson works with a ...
by Vance, Warren.
Materials of domesticity signifying the 'feminine' displaced consumer goods reflect on the notion of 'beauty'. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...
Exhibition exploring the hard and unrepresentable truth. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Blaze, CACSA, 1990-2002; http://www.nla.gov.au/(20/12/04) Exhibition Catalogue: Cruickshank, ...
by Martin, Rick.
A video showing a Protestant prayer group singing against the imperial architecture of Belfast City Hall. Work explores the mythical nature of industrial scale and ...
by Platten, Bronwyn.
Object communicate a sense of urgency or desire, the desire to be, in dealing with emotive things 'that fall outside language'. Source: Solo Survey Exhibition ...
