by Simmons, Katrina.
First major solo exhibition and CACSA's feature artist for the 2003 SALA [South Australian Living Artist] FESTIVAL. Materials Simmons uses are scrappy, inexpensive and tactile ...
First solo exhibition comprising a group of installations. Often physically imposing works combine natural 'elemental' materials - such as granite rocks, eucalypt boughs or ice ...
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS http://www.cacsa.org.au/archives/index_frames.html (06/12/04)
by Redgate, Jacky.
NSW Government Ministry for the Arts, and the Gordon Darling Foundation. Project #5 in the series CONTEMPORARY VISUAL ART PROJECTS SA 2004. The second of ...
by Kirby, Shaun.
Project #9 in the series CONTEMPORARY VISUAL ART PROJECTS SA 2004. Shaun Kirby's first exhibition of major new works in Adelaide since his Gasfitter exhibition ...
by Nixon, John.
Shows focus is on materiality, sacking, masonite, plywood, cardboard, enamel, acrylic and oil paints. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS ...
by Allan, Micky, Danko, Aleks.
The blurring between individual works of the artists was understated but once the viewer observed the line it became a form of subjective play. Source: ...
by Bezor, Annette.
Autobiographical in a sublime manner in which artist continually reflects on the exposeire in the subjects of her paintings. The diptych serves as vehicle for ...
by Warner, Gary, Wolter, Adam.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS State Library of QLD catalogue Exhibition Catalogue: Warner, Gary and Wolter, Adam, Without number: ...
by Weaver, Alison.
Selective embodied choices and finite gestures mock the so called arrogance of the decadent and a reflection upon the 'ritual sacrafice of energy' expended in ...
Cut crystal [chandeliers, mirrors, etched glass] [re]appears in the work as metaphor and reflection. An interrogation into the separation of absence and presence, subject and ...
Resisting representation the installation challenged the viewer, giving minimal clues to the meanings the works including a lack of pre-emptive titles. Source: Solo Survey Exhibition ...
by Hewson, Paul, Walker, Linda Marie.
An installation with video images projected onto opposite ends of the room. The videos are accompanied by multiple soundtracks. Source: Solo Survey Exhibition Linkage Project, ...
by Abdulla, Ian, Giles, Kerry, Kean, John, Koolmatrie, Yvonne.
Woven rush baskets on simulated green riverbeds, vessel structures, sculptural forms and their implied history. Pointing to the early colonial engravings which represent aboriginal women ...
by Buckley, Brad.
Decor of architectural surfaces that interlace by which the knot, is particular to this installation. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...
by Andrae, Craige.
Contents are unpacked from vernacular objects, such as a bowling ball bag where the ball and cloth have been taken out and placed on the ...
by Gill, Simryn, Hall, Fiona.
A knitted a matinee jacket, a bonnet and bootees, and made a rattle/teething ring from thin metal strips cut from Coke cans. The six pack ...
by Hart, Anton.
The exhibition is a personal journey into the mind of the neo-romantic, as the artist lays bare his soul. Broader concerns are with the notions ...
by Adil, Mehmet.
Elements of everyday materials: Room 1: 2,000 unspent matches piled on the floor, a violin bow tunnels through the top of the pile, 6 tall ...
by Vance, Warren.
Materials of domesticity signifying the 'feminine' displaced consumer goods reflect on the notion of 'beauty'. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...
