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Dunedin, New Zealand, 1938 – 30 January 2015
Other featured artists:

Vernon Ah Kee. Vernon Ah Kee is a draughtsman, photographer, screen-printer, video and text based installation artist who was included in the 2008 Biennale of Sydney.

Kathleen Aurousseau. Painter who exhibited several works including a still life oil painting at the Australian Exhibition of Women's Work in 1907.

Bianca Beetson. A member of the Brisbane-based Indigenous artist collectives the Campfire Group and ProppaNOW, Beetson's mixed media works, which are always pink, employ humour as a central device in their message of survival and self-determination.

Frederick Grosse. Frederick Grosse was an engraver, vigneron and probably professional photographer. Born in Prussia, he came to Melbourne via Adelaide in 1854. Grosse is best known as a reproductive engraver. In 1868 he was appointed supernumerary wood-engraver to the Government Printing Office. Later he purchased the Tooronga Vineyard on Emu Creek, Strathfieldsaye and from 1872 was exhibiting award-winning wines

Alfred Oakley. A photographic artist and daguerrean who worked professionally as a photographer, Alfred Oakley, also known as Alfred Oakey, worked in Melbourne's Bourke St in the late nineteenth century.

Bruce Hyett. Hyett was the principal of Wycombe Industries, a furniture manufacturing firm established in Geelong in 1950.

Garth Dixon. Dixon was a National Art School trained artist and designer. He had a teaching career in Bathurst NSW, later Goulburn NSW. He worked across a range of media including pottery, sculpture and print-making. Retiring to Canberra, he continued his painting and drawing, largely based on nature studies. He remained an active environmentalist throughout his career.

Emily Hunt.

About the DAAO

Design and Art Australia Online (DAAO) is a collaborative e-Research tool built upon the foundations of the Dictionary of Australian Artists Online. DAAO is an open source freely accessible scholarly e-Research tool that presents biographical data about Australian artists, designers, craftspeople and curators.

A framework of open access intellectual property rights is an underlying principle of DAAO. We are committed to sharing information and collaborative research. We welcome all committed researchers, be they artists, family historians or affiliated academics, to engage in the principles of public scholarly research by contributing to DAAO's growing database.

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