Debra Phillips b. 1958

  • Artist ,
  • Artist (Sculptor),
  • Artist (Photographer)
Debra Phillips is a Sydney-based artist specialising in photomedia. Her works have been presented in a number of solo and group exhibitions since the early 1980s across Australia. She is a lecturer at the College of Fine Arts, University of New South Wales.

Citations

  • Waterlow, Nick (2001), 'A Century of Collecting 1901-2001’, Ivan Dougherty Gallery, Sydney, NSW, (exh. cat.).

  • Batchen,Geoffrey et al (2005), 'CSR 150: CSR 1855-2005 Celebrating 150 Years’.

  • Wedde, Ian (2006), ''Haunted by Cook’, The Captain’s Ghost’, Adam Art Gallery, Victoria University of Wellington, (exh. cat.).

  • Stanhope, Zara (2007), ''Coming back for more’, Perfect for every occasion: photography today’, Heide Museum of Modern Art, VIC, (exh. cat.).

  • Annear, Judy (2005), ''The end of photography was in the air’, Points of View: Australian Photography 1985-95’, Art Gallery of New South Wales, Sydney, NSW, (exh. brochure).

  • Dwyer, Tessa (2001), 'No Alternative, Leica/CCP Documentary Photography Exhibition + Award’, Centre for Contemporary Photography, Melbourne, VIC, (exh. cat.).

  • Engberg, Julia (2001), ’52 sidelong glances: Debra Phillips’, Art Gallery of New South Wales, (exh. cat.).

  • French, Blair (2001), ''The Thickness of Vision’, Debra Phillips, The world as puzzle.’, Canberra Contemporary Art Space, (exh. cat.).

  • Holmes, Jonathan ; Kunda, Maria ; Ferrell, Robyn (2004), 'Atelier: Australian Artists in Paris 1980-2000’, Plimsoll Gallery (Hobart, University of Tasmania), (exh. cat.).

  • French, Blair (2004), 'One thing leads to another’, (exh. cat.).

  • Edwards, Sandy (2004), 'Sydney Life’, art&about, (exh. cat.).

  • Conomos, John (2004), 'News: Sydney’, Contemporary, Issue 66.

  • 'Breenspace Art Gallery website’, Accessed: 12th August 2009.

    http://www.breenspace.com/artists/14/debra-phillips/

  • Haley, Rochelle (2006), 'Substance over surface: Debra Phillips Centennial Avenue 1997’, Photofile, [special issue: Better than the Real Thing] #77, pp44-47.

  • French, Blair (1999), 'Debra Phillips: List. [A set of photographic portraits.]’, Artlink, v.19, #1, pp37-40.

  • Annear, Judy (2008), 'Photography and place’, Broadsheet, Vol. 37, #3; p 204-207.

  • Annear, Judy (2007), 'Photography: Art Gallery of New South Wales Collection handbook’, Sydney: Art Gallery of New South Wales, pp289-90 & p308.

  • Hibberd, Lily (2005), 'Where Have All The People Gone?’, Photofile.

  • Conrad, Peter (2003), 'At Home in Australia’, Canberra: National Gallery of Australia in association with Thames & Hudson.

  • Phillips, Debra (2003), ''Lawson Street’ (in Je Veux)’, Onestar Press.

  • Ross, Virginia (2001), 'Sufficient Density’, Tin Sheds Gallery, Sydney, NSW.

  • Ueltzen, Christina (2001), 'Debra Phillips’, Australian Art Collector, Issue 17.

  • Moore, Catriona (2006), 'Documentary meets conceptual art in the Australian bush’, Photofile.

  • Watters, Jane (2001), 'A studio in Paris: Australian artists at the Cité Internationale des Arts 1967-2000, (exh. cat.)’, S H Ervin Gallery, Sydney.