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Twining: Weaving and abstraction brings together weaving and abstraction, material and form. Four artists experiment with the nexus between the opposing registers of high and traditional art to explore ideas of cultural circulation and, in this exhibition, the critical process of colonial cultural intersections.
Paintings by Robyn Djunginy and Karen Mills share an unforced but incidentally profound mediation on weaving as the artistic underlay and support for Indigenous values and culture. One artist has lived a traditional life in central Arnhem Land, the other lives in Darwin.