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A National Gallery of Victoria Touring Exhibition. The recipient of the inaugural Contempora Fellowship that awards an Australian visual artist $50,000 per annum for a two year period. An intellectual residency of two years and a touring exhibition of new work by the Fellow produced during the Fellowship. Aleks Danko’s two year residency with the NGV culminates in the exhibition.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
IPNGV website; State Library of Victoria catalogue; http://www.ngv.vic.gov.au/whatson/whatson_exhibitions.jsp?timescale=2&locationID=3 (05/05/04)
Exhibition Catalogue:
Songs of Australia volume 16 sheee, go back sheep (an unAustralian dob-in mix): a National Gallery of Victoria Touring Exhibition. Melbourne: National Gallery of Victoria, 2004
47p: ill; 30cm
An installation in a continuing series of work begun in 1996 and triggered by the contemporary coalition and One nation politics.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
AGNSW annual report & archive index cards; AGNSW Library catalogue
Exhibition Catalogue:
Songs of Australia Vol 9: Uh-oh the Chinese are coming (take-away mix). [Sydney]: Art Gallery of new South Wales, 2000
1 folded sheet (6p) : col ill ; 30 cm
Artists ongoing project began with the election of the Howard Government in 1996, and ended with its demise [in 2001 initially, anticipated Danko]. Following on from recent exhibitions in Melbourne and Sydney, is a series of installations that revisit the sites of Danko’s formative years and the memory of his parents.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.cacsa.org.au/archives/index_frames.html (29/11/04)
Exhibition continues Aleks Danko’s Songs of Australia project begun in 1996 and, complements the major sculptural commission songs of Australia volume 3.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
UNISAM exhibition archive
Aleks Danko epic performance was presented in the EAF gallery on 20 May. Rows of arm-banded and blindfolded conscripts chanted 'Australian’ mantras (“Rub some of my luck on ya!”) that were also boldly printed in black on hot-pink paper and pasted to the gallery walls, the Woodville High school choir sang the patriotic 1859 anthem 'The Song of Australia’, and paparazzi strolled among the performers and the crowd taking photos and popping their flashbulbs.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual reports
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Ian Potter University of Melbourne exhibition archive; UTAS catalogue
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
National Library of Australia catalogue
Exhibition Catalogue:
What are you doing boy?/ Aleks Danko. South Yarra, Vic: Australian Centre for Contemporary Art, 1991
The blurring between individual works of the artists was understated but once the viewer observed the line it became a form of subjective play.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Blaze, CACSA, 1990-2002
Organised and toured by EAF in 1976- based on the notion of communication within a uniform format the exhibition included work by Micky Allan, Alex Danko, Sue Ford, Imants Tillers, Robin Wallace Crabbe, Tim Burns, Tony Coling, Phil Dadson, Virginia Coventry and others
Post-Object Art in Australia and New Zealand: A Survey
Post Object Art in Australia and New Zealand
Also known as 'Sculpturscape '73’
Curated by Terry Smith and Donald Brook, The Situation Now: Object and Post Object Art, was a survey exhibition of conceptual and experimental works in Australia, sponsored by the Contemporary Art Society (CAS) held at Central Street. David Aspden’s work listed in the catalogue was replaced by a work by James Doolin in the exhibition itself.
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Date modified | Jan. 5, 2018, 12:36 p.m. | Jan. 4, 2018, 9:39 p.m. |
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