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Retrospective Exhibition, Signal Point Gallery, Goolwa, 2020
Work made predominantly of fabric, are abstract coverings of the body which reference many issues relevant to women’s historical and social context and positioning.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.cacsa.org.au/archives/index_frames.html (22/11/04)
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Date modified | April 25, 2020, 6:55 p.m. | April 25, 2020, 6:39 p.m. |
References | [<ExternalResource: Kathie Muir, Annabelle Collett: Creator and Catalyst, Wakefield Press, 2020.>, <ExternalResource: Stephanie Radok, "Annabelle Collett: Creator and Catalyst " Book review and career summary. 2020.>, <ExternalResource: John Neylon, "The colourful, subversive world of Annabelle Collett." The Adelaide Review, #482, 31 March 2020.>, <ExternalResource: Michael Bogle and Peta Landman. Modern Australian Furniture: Profiles of Contemporary Designer-makers, Craftsman House, 1989. [profile of Annabelle Collett]>] | [<ExternalResource: Kathie Muir, Annabelle Collett: Creator and Catalyst, Wakefield Press, 2020.>, <ExternalResource: Stephanie Radok, "Annabelle Collett: Creator and Catalyst " Book review and career summary. 2020.>, <ExternalResource: John Neylon, "The colourful, subversive world of Annabelle Collett." The Adelaide Review, #482, 31 March 2020.>] |