Annie Garvin Dangar b. 1 December 1885

Also known as Nancy Dangar, Anne Dangar
  • Artist (Ceramist),
  • Artist (Painter)
A talented and well recognised modernist ceramic artist, Anne Dangar spent most of her artistic life at the Moly-Sabata artists' colony, near Ardêche in southern France. With hands made for holding pots, her work is held in multiple French collections.
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Citations

  • Brooks, Peter (1996), 'Albert Gleizes: For and Against the Twentieth Century’, unpublished notes (quotes Dangar’s notes for classes given at Moly-Sabata) (cited Topliss, 2001).

  • Burke, Janine (1980), 'Australian Women Artists 1840-1940’, Collingwood, Victoria.

  • McCulloch, Alan and McCulloch, Susan (1994), 'The Encyclopedia of Australian Art’, St Leonards, New South Wales.

  • McPhee, John (1982), 'Australian Decorative Arts in the Australian National Gallery’, Canberra, Australian Capital Territory.

  • Maxwell, Helen (1989), 'A profile of Anne Dangar’, Art and Australia, Volume 26, Issue 3 (autumn).

  • Pouyaud, Robert (1955), 'Anne Dangar Potiére’, Moly Sabata, René Déroudille et al., Editions Atelier de la Rose, Lyon, France (cited Topliss 2001).

  • Timms, Peter (1986), 'Australian Studio Pottery and China Painting’, Melbourne, Victoria.

  • Topliss, Helen (2000), 'Earth, Fire, Water, Air: Anne Dangar’s Letters to Grace Crowley 1930-1951’, Allen & Unwin, Sydney, New South Wales.

  • (1928), Undergrowth, Sept-Oct.

  • (1955), Zodiaque 8, 25 April.

  • Dangar, Anne, 'Anne Dangar letters’, Mitchell Library, State Library of New South Wales, Sydney.

  • Telephone conversation with Kevin Smith (1962), notes in Dictionary of Australian Artists (file).

  • (8 April 1952), Zodiaque.

  • (2001), 'Anne Dangar at Moly-Sabata: Tradition and Innovation’, (exhibition and handlist), 13 July – 28 Oct, National Gallery of Australia, Canberra.

See also

  • 'section 5, plate 211'.

Initial data sources

  • Heritage with additions

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