Brad Nunn is a professional artist who has been exhibiting his artwork since the late 1980s. In 1993, at the age of 28, Nunn suffered a brain haemorrhage which left him physically and neurologically ‘damaged’. From this perspective Nunn’s practice has often inquired into the intersection of the two prevailing notions of the prosthesis as they are imagined or enacted by artists: compensatory prosthetic augmentation of the so-called ‘disabled’ body, and bio-tech ‘enhancement’ of so-called ‘normal’ bodies for a high-tech future.