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exhibited at
Modern Australian Women: paintings and prints 1925-1945
Date
24 November 2000 - 25 February 2001
Place
Art Gallery of South Australia, Adelaide, SA
Description

Then national tour

Type
Exhibition
exhibited at
Women on Paper: from the collections: late nineteenth century to the present
Date
5 April 1995 - 23 April 1995
Place
Bendigo Art Gallery, Bendigo, Vic.
Type
Exhibition
Tags
National Women's Art Exhibition
exhibited at
Review
Date
8 March 1995 - 8 June 1995
Place
Art Gallery of New South Wales, Sydney, NSW
Description

Speaking of Women, four guest lectures; by Nancy Underhill, Ann Thomson, Margo Neale, Joan Kerr; held over successive Fridays, 10-31 March 1995, by the Art Gallery Society.

Type
Exhibition
Tags
National Women's Art Exhibition
exhibited at
Beyond the Picket Fence: Australian women's art in the National Library collections
Date
8 March 1995 - 8 June 1995
Place
National Library of Australia, Canberra
Description

Opened by Andrea Stretton, 7 March 1995.

Type
Exhibition
Tags
National Women's Art Exhibition
Website
http://trove.nla.gov.au/ndp/del/article/127516441
exhibited at
The Women's View: Australian women artists in the Bendigo Art Gallery, 1888-1995
Date
8 March 1995 - 2 April 1995
Place
Bendigo Art Gallery, Bendigo, Vic.
Description

Opening, including Joe Dolce and Linn van Kek, performance 'Difficult Women’, 8 March 1995

Type
Exhibition
Tags
National Women's Art Exhibition
exhibited at
Australian Women Printmakers 1910-1940
Date
5 March 1995 - 30 April 1995
Place
Castlemaine Art Gallery and Historical Museum, Castlemaine, VIC
Type
Exhibition
Tags
National Women's Art Exhibition
exhibited at
Trust the Women,
Date
24 February 1995 - 2 April 1995
Place
S. H. Ervin Gallery, National Trust of Australia (NSW), Sydney, NSW
Description

Touring exhibition (selected works from Sydney show). S. H. Ervin show Opened by Annita Keating, 23 February 1995. Broken Hill City Art Gallery show opened by Councillor Fran McKinnon, 29 June 1995.

Type
Exhibition
Tags
National Women's Art Exhibition
exhibited at
Project 39: Women's imprint
Date
1 October 1982 - 31 October 1982
Place
Art Gallery of New South Wales, Sydney, New South Wales
Type
Exhibition
Tags
Women and the Arts Festival
exhibited at
Victorian Artists' Society
Date
1913 - 1922
Place
Melbourne, Victoria
Description
Type
Exhibition

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Date modified Dec. 16, 2024, 4:25 p.m. April 10, 2011, 11:06 p.m.
painter, printmaker and stained-glass designer and maker, was born on 2 August 1894 in Castlemaine, Victoria, youngest of the seven children of a plasterer, William Edward Yandell (who died in 1899), and Emily St Clair, née James. From 1905 she studied painting at the local School of Mines under Carl Steiner. In 1909, the year after she moved to Bendigo with her family, the fourteen year old prodigy had her oil painting, _A Petition_ (a Greek scene in the manner of Alma Tadema featuring her sister Florence), hung in the Bendigo Art Gallery and shown at the Masonic Hall (with her _A Lay of Thermopylae_ ). In 1910 some of her paintings were raffled to help her study at the Melbourne National Gallery Schools and the family moved to Parkville. Christian spent 1910-14 at the School, fellow students including *Esther Paterson* , *Mary Cecil Allen* , *Marion Jones* , *Ethel Spowers* - and *Napier Waller* , whom she married on 21 October 1915. She exhibited fantasy works with the Victorian Artists' Society in 1913-22. ¶

Napier left for France in 1916 and returned in 1917 with his right arm amputated. While he learned to draw with his left hand, Christian supported them with commercial art. In 1922-23 they built a house at 9 Crown Road, Fairy Hills, Ivanhoe. Designed by Harold Desbrowe Annear, its late English Arts and Crafts style was decorated and furnished by the owners in complementary style, including a dining room suite designed by Napier and painted with figures from the Arthurian Legend by Christian. It remained her home for the rest of her life. ¶

Christian illustrated books from 1921, including several published by Edward Vidler ( _see_ *Sara Levi* ). One illustrated in colour and b/w is _Australian Fairy Tales_ (Melbourne: J. Howlett-Ross, 1925) by Hume Cook, then a federal politician (intro. by Billy Hughes PM), with a plot about the battle of the good Prince Waratah, Princess Wattleblossom and fairies against the evil Desert Fairies of the Australian bush (see Muir). She also began to make woodcuts and linocuts and excellent bookplates followed from about 1925 - the first being a linocut for her husband's books - and theatrical poster designs from about 1928. She began to design stained-glass windows and in 1929 travelled with Napier to England to study their manufacture at Whall & Whall's, London. They also visited Ireland, home of the Celtic revival, to meet the mystic writers Lord Edward Dunsany and 'A.E.' (George William Russell). ¶

Back home in 1930 Waller's art became far more Art Deco in style and theosophist in content. Her finest printed work, _The Great Breath_ (Melbourne 1932) - seven linocuts (a favourite mystical number) printed on the Wallers' own hand press and bound in a green folder bearing the theosophical symbol of a dot within a circle - was entirely made by her. She also produced _The Gates of Dawn_ that year. She contributed to _Manuscripts_ , eg no.3 (November 1932), 52, 'The Woman of Faery' (pen drawing). ¶

During the 1930s Christian made stained-glass windows in Melbourne, Geelong and at Canowindra and Gilgandra (NSW), often for Anglican churches designed by Louis R. Williams. She travelled to the USA in 1939 to study at the temple of Father Divine and painted murals in New York before returning in April 1940. A mural for Christ Church, Geelong, followed in 1942; but from then on she worked at home on stained-glass windows. In 1948 she was reported to have completed over fifty and have orders for years to come. Her last window was made in 1952, by which time she is said to have designed and made over 65 windows in Victoria. She died on 25 May 1954 and was cremated at the Fawkner Crematorium where in 1937 she had painted a mural, _The Robe of Glory_ . ¶

Ima
hges include 7 art deco linocuts from _The Great Breath_ , printed and registered as Golden Arrow Press, Melbourne, 1932 by Waller (Bendigo Art Gallery has a set); one of _Gates of Dawn_ originals (book not published until 1978) formerly in the National Trust (NSW) Childhood Collection, now Mitchell Library.